{"id":428,"date":"2009-04-14T17:23:33","date_gmt":"2009-04-15T00:23:33","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/04\/the_vancouver_problem\/"},"modified":"2009-04-14T17:23:33","modified_gmt":"2009-04-15T00:23:33","slug":"the_vancouver_problem","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/04\/the_vancouver_problem.html","title":{"rendered":"Our Vancouver problem"},"content":{"rendered":"<p>Jen Graves thinks <a href=\"http:\/\/www.thestranger.com\/seattle\/the-vancouver-problem\/Content?oid=1220602&amp;view=comments#comments\">Vancouver B.C.&#8217;s art scene tops Seattle&#8217;s<\/a>, which is a very Seattle thing to maintain. As long as I&#8217;ve lived here, Seattle&#8217;s been expert at complaining about itself.<\/p>\n<p>How real is the complaint this time? Are we San Jose to Vancouver&#8217;s San Francisco, or San Diego to Vancouver&#8217;s LA?<\/p>\n<p>If cities could slouch down runways (their tallest buildings serving as hats) or duke it out in boxing rings (their criminals ready with sucker punches), then declaring a winner makes sense. I&#8217;d rather think about how Portland, Seattle and Vancouver complement each other than crown one queen for a day. <\/p>\n<p>Since the issue is on the table, however, there are a few things Graves left out.<\/p>\n<p><!--more--><br \/>\n<b>Museums:<\/b> Seattle compares to Vancouver only if the <a href=\"http:\/\/www.seattleartmuseum.org\/\">Seattle Art Museum<\/a> disappears. Vancouver has no equivalent. The <a href=\"http:\/\/www.vanartgallery.bc.ca\/\">Vancouver Art Gallery<\/a> compares well with the <a href=\"http:\/\/www.seattleartmuseum.org\/\">Henry Gallery<\/a>. Since the former is better funded, VAG often tops Henry, but not always. <br \/><b><br \/>Alternative spaces:<\/b> Both cities have reason to commend themselves. A draw, with Seattle&#8217;s <a href=\"http:\/\/www.westernbridge.org\/\">Western Bridge<\/a> giving it a slight edge.<\/p>\n<p><b>Galleries:<\/b> Seattle by a mile. The commercial gallery list in Vancouver is non-existent in comparison.<\/p>\n<p><b>Critics:<\/b><br \/>\nBecause Vancouver doesn&#8217;t have and never had anything like daily arts<br \/>\njournalism that covers the arts, Vancouver BC critics tend to be<br \/>\nacademics. Seattle&#8217;s are more populist. One can imagine almost all of<br \/>\nthem chewing gum as they type. <\/p>\n<p><b>Patrons<\/b>: Vancouver has the government. Seattle has collectors. <\/p>\n<p><b>Artists: <\/b>Vancouver<br \/>\nis far better at defining a character for the artists who live there.<br \/>\nVancouver artists are known for their own version of photography-based<br \/>\nnarratives and installations that could be bizarre science experiments.<br \/>\n(Don&#8217;t knock it till you tried it. Having a clear identity is an<br \/>\nexcellent thing for the artists who fit into it, not so hot for<br \/>\nVancouver artists who don&#8217;t.)<\/p>\n<p>Seattle artists cannot be<br \/>\ncorralled into a single identity. While that&#8217;s not good for marketing<br \/>\n(or collective career building), it&#8217;s great for diversity, depth and<br \/>\nrange of choice. Can anyone say what the artist identity is in New<br \/>\nYork? Of course not. <\/p>\n<p><b>Identity politics:<\/b> In the middle<br \/>\nof the 20th Century, regional critics found core identities that<br \/>\nbrought fame to the artists who fit them: Bay Area Figurative, LA Cool,<br \/>\nChicago New Image. It worked well then, but why go back? The problem<br \/>\nwith these labels is that they distort more than they clarify.<\/p>\n<p>What&#8217;s the alternative? As Joe Hill was led to his execution, he is<br \/>\nsaid to have said, &#8220;Don&#8217;t mourn for America. Organize.&#8221; It&#8217;s better to<br \/>\nwork together than to pick a winner.&nbsp; <\/p>\n<p>Seattle could learn a<br \/>\nlot from Vancouver on backing the home team. Seattle museums don&#8217;t.<br \/>\nMichael Darling at the Seattle Art Museum is best, but he&#8217;s not enough.<\/p>\n<p>Last time I looked, Graves&#8217; story attracted 62 comments. I especially enjoyed this one, from G. Wood:<\/p>\n<blockquote><p>\nHere is a pathetic list of the people who can spread the word about the arts in (Seattle):<\/p>\n<p>Jen Graves&#8211;Completely neurotic<br \/>\n<br \/>Matthew Kangas&#8211;Batshit crazy<br \/>\n<br \/>Regina Hackett&#8211;Flighty and distracted<br \/>\n<br \/>Adriana Grant&#8211;An inch a week in the Weekly<br \/>\n<br \/>Suzanne <strike>Beall<\/strike> Beal &#8212; Great if you wanna get into fiberarts<\/p>\n<p>This is a huge problem for Seattle artists. Every successful scene has always had good writers&#8230;<\/p>\n<\/blockquote>\n<p>Emily Pothast response on <i>Translinguistic Other<\/i> to Graves&#8217; essay <a href=\"http:\/\/emilypothast.wordpress.com\/2009\/04\/09\/the-vancouver-problem-a-response-to-keep-the-conversation-going\/\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jen Graves thinks Vancouver B.C.&#8217;s art scene tops Seattle&#8217;s, which is a very Seattle thing to maintain. As long as I&#8217;ve lived here, Seattle&#8217;s been expert at complaining about itself. How real is the complaint this time? Are we San Jose to Vancouver&#8217;s San Francisco, or San Diego to Vancouver&#8217;s LA? If cities could slouch [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-428","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/428","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=428"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/428\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=428"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=428"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=428"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}