{"id":424,"date":"2009-04-13T13:47:36","date_gmt":"2009-04-13T20:47:36","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/04\/diana_deaugustine_the_penis_as\/"},"modified":"2009-04-13T13:47:36","modified_gmt":"2009-04-13T20:47:36","slug":"diana_deaugustine_the_penis_as","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/04\/diana_deaugustine_the_penis_as.html","title":{"rendered":"Diana DeAugustine: The penis as a wound on a woman’s thigh"},"content":{"rendered":"

\"lacking-nothing-decastration-healing.jpg\"<\/a><\/span> <\/p>\n

(Click images to enlarge)<\/p>\n

Lacking Nothing (Healing Wound)<\/i><\/a> is the best retort to Freud’s idea of penis envy. God bless the child who’s got her own.<\/p>\n

DeAugustine’s piece resolves more than 20th-century problems, however.<\/p>\n

In Plato’s Symposium<\/i>, he advanced the idea of three sexes – male, female and hermaphrodite. In a bad mood, God had split them in half, which means everybody wanders the earth looking for his\/her other half: both same sex and opposites attract. <\/p>\n

In the photo on the left, DeAugstine imagines a female nailing down her other and carrying its mark on her thigh. Like Sweeney Todd with a razor in his hand, she’s compete.<\/p>\n

Pipilotti Rist<\/a>  made her first big impression in 1997 with Ever is Over Again<\/i>, in which a young woman<\/span> strides down the street carrying a cudgel. The cudgel is a flower (men are beautiful) and a weapon (dangerous too.) As the girl in charge, she assumes both their beauty and their power.<\/p>\n

<\/div>\n

<\/object><\/p>\n

There are other ways to have it all. Below, Alice Wheeler’s<\/a> GenderFuck Courtney<\/i> and Tess at WTO Anniversary<\/i>.<\/p>\n

\"wheel_genderfuck_kurt.jpg\"<\/a><\/span>
\"wheel_tess_72.jpg\"<\/a><\/span><\/p>\n

<\/p>\n

\n<\/div>\n","protected":false},"excerpt":{"rendered":"

(Click images to enlarge) Lacking Nothing (Healing Wound) is the best retort to Freud’s idea of penis envy. God bless the child who’s got her own. DeAugustine’s piece resolves more than 20th-century problems, however. In Plato’s Symposium, he advanced the idea of three sexes – male, female and hermaphrodite. In a bad mood, God had […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-424","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/424","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=424"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/424\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=424"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=424"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=424"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}