{"id":419,"date":"2009-04-12T16:40:58","date_gmt":"2009-04-12T23:40:58","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/04\/arts_global_village_-_same_shi_1\/"},"modified":"2009-04-12T16:40:58","modified_gmt":"2009-04-12T23:40:58","slug":"arts_global_village_-_same_shi_1","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/04\/arts_global_village_-_same_shi_1.html","title":{"rendered":"Art&#8217;s global village &#8211; same shiny idea popping up all over"},"content":{"rendered":"<p>1. <a href=\"http:\/\/www.pbs.org\/art21\/artists\/mcelheny\/index.html?gclid=CMijmt2-7JkCFRxNagodckU4Rg\">Josiah McElheny<\/a>, <i>Model for Total Reflective Abstraction<\/i>, 2003. Photo via <a href=\"http:\/\/baartquake.blogspot.com\/2008\/02\/zhan-wang-all-over-sf.html\">Bay Area Art Quake<\/a>)<br \/>2. <a href=\"http:\/\/www.saatchi-gallery.co.uk\/artists\/subodh_gupta.htm\">Subodh Gupta<\/a>, <i>The Silk Route<\/i>, 2007. Photo via <a href=\"http:\/\/www.guardian.co.uk\/artanddesign\/jonathanjonesblog\/2009\/mar\/31\/subodh-gupta-mistake\">The Guardian<\/a><br \/>3. <a href=\"http:\/\/www.artnet.com\/artist\/18386\/zhan-wang.html\">Zhan Wang<\/a>, <i>On Gold Mountain: Sculptures from the Sierra<\/i>, 2008. Photo via San Francisco&#8217;s <a href=\"http:\/\/www.asianart.org\/zhanwang.htm\">Asian Art Museum<\/a>.<\/p>\n<p>(Click to enlarge)<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/josiah-4900.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/josiah-4900.html','popup','width=400,height=300,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/josiah-thumb-100x75-4900.jpg\" alt=\"josiah.jpg\" class=\"mt-image-left\" style=\"margin: 0pt 20px 20px 0pt; float: left;\" width=\"100\" height=\"75\" \/><\/a><\/span><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/gupta460-4903.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/gupta460-4903.html','popup','width=400,height=240,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/gupta460-thumb-100x60-4903.jpg\" alt=\"gupta460.jpg\" class=\"mt-image-left\" style=\"margin: 0pt 20px 20px 0pt; float: left;\" width=\"100\" height=\"60\" \/><\/a><\/span><\/p>\n<div><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/josiahwang-4906.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/josiahwang-4906.html','popup','width=400,height=252,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/josiahwang-thumb-100x63-4906.jpg\" alt=\"josiahwang.jpg\" class=\"mt-image-left\" style=\"margin: 0pt 20px 20px 0pt; float: left;\" width=\"100\" height=\"63\" \/><\/a><\/span><\/div>\n<div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>1. Josiah McElheny, Model for Total Reflective Abstraction, 2003. Photo via Bay Area Art Quake)2. Subodh Gupta, The Silk Route, 2007. Photo via The Guardian3. Zhan Wang, On Gold Mountain: Sculptures from the Sierra, 2008. Photo via San Francisco&#8217;s Asian Art Museum. (Click to enlarge)<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-419","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/419","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=419"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/419\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=419"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=419"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=419"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}