{"id":410,"date":"2009-04-09T18:47:09","date_gmt":"2009-04-10T01:47:09","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/04\/from_the_pen_of_my_bar_continu\/"},"modified":"2009-04-09T18:47:09","modified_gmt":"2009-04-10T01:47:09","slug":"from_the_pen_of_my_bar_continu","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/04\/from_the_pen_of_my_bar_continu.html","title":{"rendered":"From the pen of my bar, continued"},"content":{"rendered":"<p>When business writers say things are looking up, they mean for banks. If there&#8217;s a trickle down effect in the art world, I haven&#8217;t seen it yet. (Image, on the wall at <a href=\"http:\/\/www.hideoutseattle.com\/\">The Hideout<\/a>. )<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"img_wallArt.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/img_wallArt.jpg\" class=\"mt-image-left\" style=\"margin: 0pt 20px 20px 0pt; float: left;\" width=\"225\" height=\"157\" \/><\/span>Rough, tough times continue for artists and everybody who relies on them (dealers, critics, museums, art centers). In Seattle, however, there&#8217;s the comfort of knowing that our local art bar is not just a hide out but an engaging correspondent. <\/p>\n<p>Last week&#8217;s letter to customers &#8211; <i>Does your bar write you letters?<\/i> &#8211; <a href=\"http:\/\/www.artsjournal.com\/anotherbb\/2009\/04\/does-your-bar-write-you-letter.html\">here<\/a>. This week&#8217;s is equally robust:<\/p>\n<blockquote><p>On Tuesday our ice machine stopped working. One day everything is fine,<br \/>\nthe next it is broken. Just like that. It was only four years old and<br \/>\nhad worked like a dream &#8211; not a hitch.<\/p>\n<div>Every time we lifted the flap,<br \/>\nit was to the brim with sparkling, clear ice &#8211; hundreds of pounds &#8211; it was<br \/>\nlike opening a treasure chest. If you ever felt down, you could just<br \/>\nlift up the lid and smile at all the dazzle, the technology, the purity<br \/>\nof it all. Have you seen 400 pounds of ice cubes, all at once?<\/div>\n<div><\/div>\n<div>Tuesday it all came to an end. The fan stopped spinning. Drips of cold<br \/>\nwater leaked from the throat of this marvel. We gathered around,<br \/>\npointed flashlights, plugged and unplugged, unscrewed panels and poked<br \/>\naround. When things are working great you just don&#8217;t ask questions, it&#8217;s<br \/>\nonly when they break that you investigate.<\/div>\n<div><\/div>\n<div>Justin noticed the intake screen on the back. He saw a thick<br \/>\nfur of dust with bellybutton lint and eyelashes that stuck to the screen<br \/>\nlike a sweater. We had killed it. All it ever asked was for someone to<br \/>\nclean the screen and let it breath. We killed it out of our own neglect.<\/div>\n<div><\/div>\n<div>There<br \/>\nis a price to pay for killing. When you kill a machine the price is<br \/>\nclearly written on a handwritten invoice with parts that you&#8217;ve never<br \/>\nheard of and labor rates that rival a doctor&#8217;s. It was a bitter pill.<\/div>\n<div><\/div>\n<div>We<br \/>\nencourage you to look at the things that are working so perfectly<br \/>\naround you and pay closer attention. Get your oil changed. Fix that<br \/>\nfunky extension cord. There are batteries to<br \/>\nreplace, filters to change, chimneys to sweep and letters to write. There<br \/>\nis nothing worse than realizing something died because of simple<br \/>\nneglect. We are just lucky that it was an ice machine.<\/p>\n<p>Fondly, The Hideout<\/div>\n<\/blockquote>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>When business writers say things are looking up, they mean for banks. If there&#8217;s a trickle down effect in the art world, I haven&#8217;t seen it yet. (Image, on the wall at The Hideout. ) Rough, tough times continue for artists and everybody who relies on them (dealers, critics, museums, art centers). In Seattle, however, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-410","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/410","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=410"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/410\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=410"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=410"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=410"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}