{"id":404,"date":"2009-04-08T17:25:20","date_gmt":"2009-04-09T00:25:20","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/04\/in_praise_of_banality\/"},"modified":"2009-04-08T17:25:20","modified_gmt":"2009-04-09T00:25:20","slug":"in_praise_of_banality","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/04\/in_praise_of_banality.html","title":{"rendered":"Banality: fresh as a daisy"},"content":{"rendered":"<p>Unlike most critics of my acquaintance, I like language with a cheap and gaudy gleam. When that gleam is gone, it&#8217;s easily replaced, especially by cliches of a bygone era. They rise from the dead as if they&#8217;d been to a spa and step up to serve a new age as shining examples of their time and place. <\/p>\n<p><i>Pushing up daisies. Kick the bucket. Take the fall. Turn a blind eye. Hitch my wagon to your star. All over him like a cheap suit.<br \/>\nStuffed in a phone booth. <\/i><\/p>\n<p>(Image left, <a href=\"http:\/\/images.google.com\/images?q=helen+levitt&amp;sourceid=navclient-ff&amp;rlz=1B3GGGL_enUS283US285&amp;um=1&amp;ie=UTF-8&amp;ei=eGTdSZ_bGIrCM-7kkNkN&amp;sa=X&amp;oi=image_result_group&amp;resnum=1&amp;ct=title\">Helen Levitt<\/a>, click to enlarge.)<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/levittphonebooth-4730.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/levittphonebooth-4730.html','popup','width=380,height=570,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/levittphonebooth-thumb-200x300-4730.jpg\" alt=\"levittphonebooth.jpg\" class=\"mt-image-left\" style=\"margin: 0pt 20px 20px 0pt; float: left;\" width=\"200\" height=\"300\" \/><\/a><\/span><\/p>\n<p>What makes a cliche? Just use by the many? If everybody sang, &#8220;Will you still need me, will you still feed me&#8221; at once, would it be finished? Why doesn&#8217;t the same principle apply to prayers?<\/p>\n<p>For Martin Amis (who <a href=\"http:\/\/www.amazon.ca\/War-Against-Cliche-Reviews-1971-2000\/dp\/0676974058\">wrote a book<\/a> on the subject), cliches are empty husks.<br \/>\nIn a Charlie Rose interview on <a href=\"http:\/\/www.youtube.com\/watch?v=Abc819rT6wI\">YouTube<\/a>, Amis objected to &#8220;moldering novelties&#8221; such as&#8230; <\/p>\n<blockquote><p>seen it, done it; got the T-shirt; he went ballistic; I don&#8217;t think so, and HELLO. These are dead words. These are herd words.<\/p><\/blockquote>\n<p>I don&#8217;t agree with Amis about cliches in language (depends on how they&#8217;re used, not what they are), but his reasoning is unarguably wrong in art. Art recycles the comatose into the lively. The visual equivalent of herd speak is interesting precisely because it&#8217;s herd speak.<\/p>\n<p>(Joseph Mills right, click to enlarge.)<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/millsslide-4733.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/millsslide-4733.html','popup','width=400,height=605,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/millsslide-thumb-200x302-4733.jpg\" alt=\"millsslide.jpg\" class=\"mt-image-right\" style=\"margin: 0pt 0pt 20px 20px; float: right;\" width=\"200\" height=\"302\" \/><\/a><\/span><\/p>\n<p>What could be more ordinary than a slide?<\/p>\n<div><\/div>\n<div>\n<p>As far as Amis&#8217; dread HELLO goes, <a href=\"http:\/\/www.jamesharrisgallery.com\/Previous%20Exhibitions\/jeffmitchell122005.htm\">Jeffry Mitchell<\/a> is the answer. (Click image to enlarge. Via <a href=\"http:\/\/www.portlandart.net\/archives\/2007\/09\/jeffrey_mitchel.html\">Port<\/a>.)<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/JMLanternweb-4737.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/JMLanternweb-4737.html','popup','width=450,height=299,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2009\/04\/JMLanternweb-thumb-350x232-4737.jpg\" alt=\"JMLanternweb.jpg\" class=\"mt-image-left\" style=\"margin: 0pt 20px 20px 0pt; float: left;\" width=\"350\" height=\"232\" \/><\/a><\/span><\/p>\n<\/div>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Unlike most critics of my acquaintance, I like language with a cheap and gaudy gleam. When that gleam is gone, it&#8217;s easily replaced, especially by cliches of a bygone era. They rise from the dead as if they&#8217;d been to a spa and step up to serve a new age as shining examples of their [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-404","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/404","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=404"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/404\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=404"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=404"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=404"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}