{"id":365,"date":"2009-03-26T14:24:51","date_gmt":"2009-03-26T21:24:51","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/03\/desperate_characters_in_glue\/"},"modified":"2009-03-26T14:24:51","modified_gmt":"2009-03-26T21:24:51","slug":"desperate_characters_in_glue","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/03\/desperate_characters_in_glue.html","title":{"rendered":"Desperate characters in glue"},"content":{"rendered":"<p>Jason Teraoka&#8217;s aging women have the predatory weight of Jose Clemente Orozco&#8217;s, especially the upside-down blonde at the bottom of the frame in a mural in the Palace of Fine Arts in Mexico City.<\/p>\n<p>Like Orozco, Teraoka knows how to take the air out of a room. He knows how to paint glamor after it&#8217;s gone and everybody&#8217;s time is borrowed. <\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"Sweetheart.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/Sweetheart.jpg\" class=\"mt-image-none\" style=\"\" width=\"300\" height=\"274\" \/><\/span><\/p>\n<p>His women can eat you whole; his men have nothing to say and nothing to say it with. Teraoka grew up in Hawaii watching movies interrupted by commercials on late night TV.<\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"LongWayHome.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/LongWayHome.jpg\" class=\"mt-image-none\" style=\"\" width=\"350\" height=\"175\" \/><\/span><\/p>\n<p> He paints with acrylics in wet glue:<\/p>\n<div><\/div>\n<blockquote><p>\nA few years ago, I became really frustrated with this painting I was working on. So I took a bottle of glue, squirted it all over, and applied more paint on top of that. I liked what it was doing, so I kept developing this method. The wet glue absorbs the acrylic paints in a certain way, so I feel like I can get a nice skin quality. I guess it&#8217;s a psychological thing too &#8211; I can really &#8216;feel&#8217; the skin texture as I&#8217;m painting. As it starts to dry, it repels. That&#8217;s how I get the washes in the background: I get this foamy mix, and as I paint it over it separates, creating these interesting effects.<\/p>\n<p>-from <i>Toyoko Art Beat<\/i>, full interview <a href=\"http:\/\/www.tokyoartbeat.com\/tablog\/entries.en\/2006\/11\/interview_with_jason_teraoka.html\">here<\/a>.<\/p>\n<\/blockquote>\n<p>His background is in graphic novels. If he were what <a href=\"http:\/\/books.google.com\/books?id=gkMr1b7YNh4C&amp;dq=pop+surrealism&amp;printsec=frontcover&amp;source=bn&amp;hl=en&amp;ei=QP7LSZ7LGJ3gsAPjhqW1Cg&amp;sa=X&amp;oi=book_result&amp;resnum=4&amp;ct=result\">Pop Surrealism<\/a> were about, I&#8217;d be all over it. Instead, too often, it&#8217;s illustrative fantasy, skillfully drawn. <\/p>\n<p>Teraoka is at <a href=\"http:\/\/www.jamesharrisgallery.com\/\">James Harris<\/a> through Saturday.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jason Teraoka&#8217;s aging women have the predatory weight of Jose Clemente Orozco&#8217;s, especially the upside-down blonde at the bottom of the frame in a mural in the Palace of Fine Arts in Mexico City. Like Orozco, Teraoka knows how to take the air out of a room. He knows how to paint glamor after it&#8217;s [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-365","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/365","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=365"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/365\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=365"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=365"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}