{"id":344,"date":"2009-03-18T08:49:28","date_gmt":"2009-03-18T15:49:28","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/03\/the_mass_disperses\/"},"modified":"2009-03-18T08:49:28","modified_gmt":"2009-03-18T15:49:28","slug":"the_mass_disperses","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/03\/the_mass_disperses.html","title":{"rendered":"The mass disperses"},"content":{"rendered":"<p>I hail from a newspaper, now gone, although it <a href=\"http:\/\/www.seattlepi.com\/\">continues online<\/a>. I wish it well, although I wouldn&#8217;t want to be part of it. The job is to do everything at once &#8211; 20 people (give or take) on a 24-hour news cycle. <\/p>\n<p>The pace of the old PI, which I considered brisk, now looks plodding. Three editors looked at everything on its day-long journey toward print. Blogs at the paper were a different story. One editor took a fast look, usually after the item was printed.<\/p>\n<p>When I started blogging a couple of years ago, the prospect of that fast read intimidated me. As I like to say, <a href=\"http:\/\/www.poems.md\/sir-thomas-wyatt\/they-flee-from-me-that-sometime-did-me-seek-1989.html\">misquoting Sir Thomas Wyatt<\/a>, facts flee from me. Everybody benefits from another set of eyes evaluating the product, I more than most.<\/p>\n<p>What I discovered online was reassuring. I&#8217;d traded three editors for many more. If something&#8217;s wrong, readers say so in the comments, email me or call. I hope on this blog, they will continue the practice, even though comments are not immediately posted. I have to look at them first, and I&#8217;m already behind.<\/p>\n<p>Doug McLennan, AJ editor, told me to start <i>Another Bouncing Ball<\/i> with a piece about the transition from the PI to freelance art critic. This is it. It&#8217;s not the start, but it&#8217;s close enough. Those who want more from me on the PI&#8217;s demise can find it in <i>The Stranger<\/i> (<a href=\"http:\/\/slog.thestranger.com\/slog\/archives\/2009\/01\/12\/but_what_about_regina\">here<\/a> and <a href=\"http:\/\/slog.thestranger.com\/slog\/archives\/2009\/03\/16\/what_s_been_lost_1\">here<\/a>) and the <i><a href=\"http:\/\/www.cjr.org\/behind_the_news\/sleepless_in_seattle.php?page=all\">Columbia Journalism Review<\/a><\/i>.&nbsp; The <i>CJR<\/i> quote has the virtue of being brief:<\/p>\n<blockquote><p>The Hearst Corporation has always treated the <i>P-I<\/i> like a<br \/>\nplaceholder. When there was money to be spent, they didn&#8217;t spend it<br \/>\nhere. This is the time to invent the template for the transition from<br \/>\nnewsprint to online only, and once again, the Hearst Corporation is<br \/>\ndoing it bare bones. A skeleton looks plump compared to poorly-paid<br \/>\nonline crew. I wish it well, but those people have a near-impossible<br \/>\ntask. The future according to the Hearst Corporation seems to be,<br \/>\njournalism without journalists.<\/p><\/blockquote>\n<p>I should have added that Hearst has always treated me and mine well. The PI was a great place to work. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>I hail from a newspaper, now gone, although it continues online. I wish it well, although I wouldn&#8217;t want to be part of it. The job is to do everything at once &#8211; 20 people (give or take) on a 24-hour news cycle. The pace of the old PI, which I considered brisk, now looks [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-344","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=344"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/344\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=344"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=344"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}