{"id":1948,"date":"2010-11-23T18:05:56","date_gmt":"2010-11-24T02:05:56","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2010\/11\/kelly_mark_1\/"},"modified":"2010-11-23T18:05:56","modified_gmt":"2010-11-24T02:05:56","slug":"kelly_mark_1","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2010\/11\/kelly_mark_1.html","title":{"rendered":"Kelly Mark !@#$%^&#038;*"},"content":{"rendered":"<p>Toronto&#8217;s <a href=\"http:\/\/www.ireallyshould.com\/index.html\">Kelly Mark<\/a> belongs to the generation that identifies itself with the word &#8220;slack.&#8221; In 2006 in front of the Henry Gallery (website currently down), she reprised her performance from Toronto&#8217;s <a href=\"http:\/\/www.thepowerplant.org\/\">The Power Plant<\/a>. Carrying blank signs, her group presented an opening night audience with her idea of militancy, chanting: <\/p>\n<blockquote><p>What do we want?<br \/>Nothing!<br \/>When do we want it?<br \/>Never!<\/p><\/blockquote>\n<p>Her videos, drawings, wallpaper, sculptures and photographs strike a deadpan note, like Buster Keaton but minus his anxiety. <\/p>\n<p><i>I Don&#8217;t Need A Therapist<\/i>, 2008 Crosstitch on linen<br \/>\n24&#8243; x 30 &#8221; x 1\/2&#8243;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"kellymarktherapy.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/kellymarktherapy.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"376\" width=\"501\" \/><i>EXIST<\/i> 2009 Powder coated aluminum w\/ LED lights (altered Exit sign)<br \/>\n7.5&#8243; x 12&#8243; x 2&#8243; <\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"kellymarkEXIST.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/kellymarkEXIST.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"349\" width=\"502\" \/>Master of the laid-back she may be, but work takes work. When she wants to relax from the heavy cogitation and technical issues of doing it, she fastens a magnifying lens to her eye and hunches over a table, making interior blizzards full of press type.<\/p>\n<p>Twenty of these time-out, going-nowhere-fast drawings are at <a href=\"http:\/\/www.platformgallery.com\/current.html\">Platform Gallery<\/a> through Saturday. <\/p>\n<p><i>Meek<\/i><br \/>\n2010 Letraset on archival mat board; 19 x 24 inches(detail on the right)<br \/>&nbsp;<br \/><img loading=\"lazy\" decoding=\"async\" alt=\"kellymarkpresstype.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/kellymarkpresstype.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"336\" width=\"505\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Toronto&#8217;s Kelly Mark belongs to the generation that identifies itself with the word &#8220;slack.&#8221; In 2006 in front of the Henry Gallery (website currently down), she reprised her performance from Toronto&#8217;s The Power Plant. Carrying blank signs, her group presented an opening night audience with her idea of militancy, chanting: What do we want?Nothing!When do [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1948","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1948","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1948"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1948\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1948"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1948"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1948"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}