{"id":1806,"date":"2010-07-07T01:34:28","date_gmt":"2010-07-07T08:34:28","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2010\/07\/messages_-_beyond_the_bottle\/"},"modified":"2010-07-07T01:34:28","modified_gmt":"2010-07-07T08:34:28","slug":"messages_-_beyond_the_bottle","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2010\/07\/messages_-_beyond_the_bottle.html","title":{"rendered":"Text as art"},"content":{"rendered":"<p><a href=\"http:\/\/www.walterrobinsonart.com\/\">Walter Robinson<\/a> loves the smell of napalm in his car. <\/p>\n<p><i>Forest<\/i>, 2008<br \/>\nMDF, Epoxy, metalflake<br \/>\n84&#8243; x 62&#8243; x 1&#8243;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"walterrobinsonforest.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/walterrobinsonforest.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"606\" width=\"500\" \/>Robinson is part of <i>Txt<\/i> at the <a href=\"http:\/\/www.jamesharrisgallery.com\/Previous%20Exhibitions\/txt072010.html\">James Harris Gallery<\/a>. <\/p>\n<div><\/div>\n<p>In the 1960s, <a href=\"http:\/\/en.wikipedia.org\/wiki\/Lawrence_Weiner\">Lawrence Weiner<\/a> and <a href=\"http:\/\/en.wikipedia.org\/wiki\/Joseph_Kosuth\">Joseph Kosuth<\/a> were key figures in the East-Coast text take-over, <a href=\"http:\/\/edruscha.com\/site\/biography.cfm\">Ed Ruscha<\/a> on the West. All advanced the idea that in visual art, text could stand alone. Today, sentence fragments, imperatives, questions and asides are more likely to serve as subject matter than a bouquet or a picnic on the grass.&nbsp; <\/p>\n<p><a href=\"http:\/\/www.cclarkgallery.com\/dynamic\/artist.asp?ArtistID=11&amp;Count=0\">Anthony Discenza<\/a><br \/>\nimpersonates street signs. His idea of a directional assist is to point to everywhere at once.<\/p>\n<p><i>Everything You&#8217;ve Heard<\/i>, 2009<br \/>\nVinyl on aluminum, Ed. of 5<br \/>\n24&#8243; x 18&#8243;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"AnthonyDiscenzasign1.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/AnthonyDiscenzasign1.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"533\" width=\"400\" \/><i>Unfamiliar Sensations<\/i>, 2008<br \/>\n(Installation View) Vinyl on aluminum, Ed. of 5<br \/>\n24&#8243; x 18&#8243;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"AnthonyDiscenzastretsgn.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/AnthonyDiscenzastretsgn.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"300\" width=\"401\" \/>Who says the novel is dead?<\/p>\n<p><a href=\"http:\/\/www.matthewbuckingham.net\/\">Matthew Buckingham<\/a> <i>Narrative<\/i>, 2001<br \/>\nWall Text<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"matthewbucknarrat.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/matthewbucknarrat.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"499\" width=\"452\" \/><a href=\"http:\/\/www.laurengrossman.com\/\">Lauren Grossman<\/a><br \/>\nexplores the mechanisms of blind faith<br \/>\nthrough its core imagery. Big steel birds, their feet fused into<br \/>\ncast-iron perches, their bodies cast in a blizzard of lettering, are emblems of fundamentalist love songs. They sing<br \/>\nto their own and are deaf to others. <\/p>\n<p><i>Even Shorn<\/i>, 2005<br \/>\nenameled cast iron, steel, rubber, brass<br \/>\n49&#8243; x19&#8243; x 21&#8243;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"laurengrossbird.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/laurengrossbird.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"593\" width=\"400\" \/>Finally, a jungle-fever designer object. (Note to the object in question: If he\/she cared about you, you&#8217;d be called boyfriend, not black boyfriend.)<\/p>\n<p><a href=\"http:\/\/pdxcontemporaryart.com\/adkins\">Brad Adkins<\/a><i><br \/>\nBlack Boyfriend<\/i>, 2006<br \/>\nNeon 4&#8243; x 47&#8243;\\<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"bradatkinsblckboy.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/bradatkinsblckboy.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"71\" width=\"500\" \/>Through Aug. 20.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Walter Robinson loves the smell of napalm in his car. Forest, 2008 MDF, Epoxy, metalflake 84&#8243; x 62&#8243; x 1&#8243; Robinson is part of Txt at the James Harris Gallery. In the 1960s, Lawrence Weiner and Joseph Kosuth were key figures in the East-Coast text take-over, Ed Ruscha on the West. All advanced the idea [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1806","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1806","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1806"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1806\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1806"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1806"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1806"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}