{"id":1768,"date":"2010-06-06T12:07:27","date_gmt":"2010-06-06T19:07:27","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2010\/06\/kevin_van_aelst_-_crime_scene\/"},"modified":"2010-06-06T12:07:27","modified_gmt":"2010-06-06T19:07:27","slug":"kevin_van_aelst_-_crime_scene","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2010\/06\/kevin_van_aelst_-_crime_scene.html","title":{"rendered":"Kevin Van Aelst &#8211; crime scene domestic"},"content":{"rendered":"<p>A Biblical <a href=\"http:\/\/bible.cc\/luke\/12-7.htm\">promise<\/a>&#8230;<\/p>\n<blockquote><p>But even the very hairs of your head are all numbered. Fear not<br \/>\ntherefore&#8230;<\/p><\/blockquote>\n<p>is a threat in the age of surveillance. <\/p>\n<p><i>William S. Burroughs, <a href=\"http:\/\/www.amazon.com\/Naked-Lunch-William-S-Burroughs\/dp\/0802132952\">Naked Lunch<\/a><\/i>:<\/p>\n<blockquote><p>I can feel the heat closing in, feel them out there making their moves, setting up their devil doll stool pigeons, crooning over my spoon and dropper I throw away at Washington Square Station, vault a turnstile and two flights down the iron stairs, catch an uptown A train&#8230;<br \/>\n<\/p><\/blockquote>\n<p>Evidence can be gathered on any life. If the state seeks, it will find, and hope of oblivion will be a romance.<\/p>\n<p>Sade, from <a href=\"http:\/\/en.wikipedia.org\/wiki\/Marat\/Sade\"><i>Marat Sade<\/i><\/a>: <\/p>\n<blockquote><p>And when I vanish<br \/>I want all trace of my existence<br \/>to be wiped out&#8230;<\/p>\n<\/blockquote>\n<p><a href=\"http:\/\/www.kevinvanaelst.com\/index.html\">Kevin Van Aelst<\/a> tracks the trace evidence of himself, as if he were his own detective examining his own crime scene.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"kevinvanaelstpie.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/kevinvanaelstpie.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"562\" width=\"450\" \/><img loading=\"lazy\" decoding=\"async\" alt=\"kevinvanaelstsugar.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/kevinvanaelstsugar.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"562\" width=\"450\" \/><img loading=\"lazy\" decoding=\"async\" alt=\"kevinvanaelstshit.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/kevinvanaelstshit.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"562\" width=\"450\" \/> I first saw Van Aelst&#8217;s work accompanying Virginia Heffernan&#8217;s NYT&#8217;s blog, <a href=\"http:\/\/themedium.blogs.nytimes.com\/\"><i>The Medium<\/i><\/a>, her excellent examination of Internet culture which after today will be part of the NYT&#8217;s <a href=\"http:\/\/artsbeat.blogs.nytimes.com\/\"><i>ArtsBeat<\/i><\/a>, the NYT&#8217;s attempt to compete with the LA Times&#8217; <a href=\"http:\/\/latimesblogs.latimes.com\/culturemonster\/\"><i>Culture Monster<\/i><\/a>.<\/p>\n<p>Van Aelst obliterates the distinction between art and illustration. Below is his take on the subject of art theft (Heffernan&#8217;s story <a href=\"http:\/\/www.nytimes.com\/2010\/06\/06\/magazine\/06FOB-medium-t.html?src=smt3\">here<\/a>.) An illustration needs the story. Van Aelst&#8217;s illustrations are the story.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"kevinvanalestheist.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/kevinvanalestheist.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"291\" width=\"500\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Biblical promise&#8230; But even the very hairs of your head are all numbered. Fear not therefore&#8230; is a threat in the age of surveillance. William S. Burroughs, Naked Lunch: I can feel the heat closing in, feel them out there making their moves, setting up their devil doll stool pigeons, crooning over my spoon [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1768","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1768","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1768"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1768\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1768"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1768"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}