{"id":1761,"date":"2010-06-03T12:31:28","date_gmt":"2010-06-03T19:31:28","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2010\/06\/last_first_thursday_gallery_wa\/"},"modified":"2010-06-03T12:31:28","modified_gmt":"2010-06-03T19:31:28","slug":"last_first_thursday_gallery_wa","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2010\/06\/last_first_thursday_gallery_wa.html","title":{"rendered":"Final First Thursday @ Howard House"},"content":{"rendered":"<p>Billy Howard&#8217;s <a href=\"http:\/\/www.howardhouse.net\/current\/index.html\">gallery<\/a> on the northern edge of Pioneer Square is open for its final First Thursday Gallery Walk tonight, 6-8 p.m. (Previous post on his closure <a href=\"http:\/\/www.artsjournal.com\/anotherbb\/2010\/05\/howard-house-closes-in-june.html\">here<\/a>.)<\/p>\n<p>Howard&#8217;s last exhibit is <a href=\"http:\/\/www.aaa.si.edu\/collections\/oralhistories\/transcripts\/warash05.htm\">Patti Warashina<\/a>, a pioneering figure in West Coast ceramics, one of a trio who brought Seattle ceramics to national attention in the 1970s. (The others &#8211; all from the art faculty at the University of Washington &#8211; are the late <a href=\"http:\/\/www.google.com\/imgres?imgurl=http:\/\/www.jhu.edu\/%7Egazette\/2005\/14feb05\/images\/14clay.jpg&amp;imgrefurl=http:\/\/www.jhu.edu\/%7Egazette\/2005\/14feb05\/weekcal.html&amp;h=250&amp;w=270&amp;sz=35&amp;tbnid=BO9fGlL8CJYAnM:&amp;tbnh=105&amp;tbnw=113&amp;prev=\/images%3Fq%3Dhoward%2Bkottler&amp;usg=__8rZOwONwoJSen7pxxFRxZ6LZxYI=&amp;sa=X&amp;ei=rRIITKfpJoLcNbuzybUE&amp;ved=0CCUQ9QEwBg\">Howard Kottler<\/a> and the late <a href=\"http:\/\/www.howardhouse.net\/artists\/index2.html?sperry\">Robert Sperry<\/a>, the latter her husband.)<\/p>\n<p>Kottler had no false moves. Sperry had one great one &#8211; <a href=\"http:\/\/www.askart.com\/AskART\/photos\/BUT4232002\/6116.jpg\">cracked, sea-foam surface plates<\/a>. Warashina is the most erratic &#8211; across her long career scoring big and striking out. The nerve and wit of her best work derives from a fundamental simplicity. Her worst is overworked, sporting surface decoration that has little to do with the figure underneath it. <\/p>\n<p>Besides being way too crowded (the gallery&#8217;s fault), the current show presents Warashina at her most festively inert. <\/p>\n<p><i>Patti Warashina<br \/>\nFigure D<br \/>\n2010<br \/>\nwhiteware and mixed media<br \/>\n22&#8243; x 18.5&#8243; x 17&#8243;<\/i><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"pattiwarablck.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/pattiwarablck.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"661\" width=\"440\" \/>For comparision, consider how Claudia Fitch uses color on a ceramic figure. (<i>There&#8217;s a hole in the world like a great black pit\/ and it&#8217;s filled with people who are filled with shit<\/i>&#8230;.<a href=\"http:\/\/www.imdb.com\/title\/tt0084747\/quotes\">via<\/a>)<br \/><i><br \/>TORSO (2), 2006<br \/>\nCeramic porcelain<br \/>\n13.5 x 7.5 x 6.5 inches<\/i>, <a href=\"http:\/\/www.gregkucera.com\/fitch_ceramic.htm\">Greg Kucera Gallery<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"claudiafitchblckhole.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/claudiafitchblckhole.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"283\" width=\"429\" \/>Through June 12.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Billy Howard&#8217;s gallery on the northern edge of Pioneer Square is open for its final First Thursday Gallery Walk tonight, 6-8 p.m. (Previous post on his closure here.) Howard&#8217;s last exhibit is Patti Warashina, a pioneering figure in West Coast ceramics, one of a trio who brought Seattle ceramics to national attention in the 1970s. [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1761","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1761","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1761"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1761\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1761"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1761"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1761"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}