{"id":1753,"date":"2010-06-01T13:18:14","date_gmt":"2010-06-01T20:18:14","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2010\/06\/whiting_tennis_gimme_shelter\/"},"modified":"2010-06-01T13:18:14","modified_gmt":"2010-06-01T20:18:14","slug":"whiting_tennis_gimme_shelter","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2010\/06\/whiting_tennis_gimme_shelter.html","title":{"rendered":"Whiting Tennis: Gimme Shelter"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" alt=\"whitingtennshelf.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/whitingtennshelf.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"330\" width=\"500\" \/>The room around you is a house. Your house is your body bubble. Invaded by misfortune,&nbsp; fortified by paranoia, your house is your thickest hide. It&#8217;s shaped in your image, if you have an image and aren&#8217;t just living there, having nowhere else to go.<br \/><i><br \/>\nWhiting Tennis MASTODON, 2010<br \/>\nAcrylic and collage on canvas<br \/>\n46 x 65 inches<\/i><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"whitingtennmasto.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/whitingtennmasto.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"348\" width=\"500\" \/>Whiting Tennis builds and\/or paints shelters that are spiritual containers for the thing contained. Their oddity derives from the inability of their inhabitants to focus their projections. His current exhibit at <a href=\"http:\/\/www.gregkucera.com\/tennis.htm\">Greg Kucera Gallery<\/a> is called <i>Walleyed<\/i>, used in a sense that moves beyond sight into essence.<br \/><i><br \/>\nTRICLOPS, 2010<br \/>\nPaint on plywood<br \/>\n114 x 55 x 55 inches<\/i><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"whitingtennwitecyclop.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/whitingtennwitecyclop.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"735\" width=\"432\" \/><i>STILL LIFE WITH BIRDBATH, 2010<br \/>\nOil on canvas<br \/>\n30 x 24 inches<\/i><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"whitingtennstillife.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/whitingtennstillife.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"612\" width=\"500\" \/> <i>BROWN SHELF, 2010<br \/>\nOil on cardboard collage<br \/>\n29 x 43 x 1.75 inches<\/i><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"whitingtennshelf.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/whitingtennshelf.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"330\" width=\"500\" \/>Through June 26.<\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The room around you is a house. Your house is your body bubble. Invaded by misfortune,&nbsp; fortified by paranoia, your house is your thickest hide. It&#8217;s shaped in your image, if you have an image and aren&#8217;t just living there, having nowhere else to go. Whiting Tennis MASTODON, 2010 Acrylic and collage on canvas 46 [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1753","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1753","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1753"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1753\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1753"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1753"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1753"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}