{"id":1745,"date":"2010-05-27T14:10:43","date_gmt":"2010-05-27T21:10:43","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2010\/05\/claudia_fitch_-_at_the_fantans\/"},"modified":"2010-05-27T14:10:43","modified_gmt":"2010-05-27T21:10:43","slug":"claudia_fitch_-_at_the_fantans","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2010\/05\/claudia_fitch_-_at_the_fantans.html","title":{"rendered":"Claudia Fitch &#8211; at the edge of the old world"},"content":{"rendered":"<p><i>No water so still as the dead fountains of Versailles<br \/>\n<\/i><i><\/p>\n<p><a href=\"http:\/\/www.poets.org\/poet.php\/prmPID\/96\">Marianne Moore<\/a><br \/>\n1887 &#8211; 1972<\/i><\/p>\n<p>Modernism scorned the decorative. More than a century later, its patterned flourishes are a kind of ghostly garden for Claudia Fitch, now showing at <a href=\"http:\/\/www.gregkucera.com\/fitch.htm\">Greg Kucera<\/a>. <\/p>\n<p><i>THE EDGE OF THE WORLD, 2010<br \/>\nGraphite oil pastel on Strathmore drawing paper<br \/>\n45.5 x 37 inches<\/i><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"claudiafitchdecor1.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/claudiafitchdecor1.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"613\" width=\"500\" \/>The door leads nowhere, but the windows wake you up. So do her figures. Pried from plinths and niches, they wrap themselves in cultural influences and jump into 21st-Century space, landing lightly. <\/p>\n<div><i><br \/><\/i><\/div>\n<p><i>FLATSCREEN, 2009<br \/>\nCeramic, steel, gator board, flocked paint<br \/>\n26 x 15 x 6 inches<\/i><\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/05\/claudiafitchflatscn-15305.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/05\/claudiafitchflatscn-15305.html','popup','width=612,height=871,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/05\/claudiafitchflatscn-thumb-502x714-15305.jpg\" alt=\"claudiafitchflatscn.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"714\" width=\"502\" \/><\/a>Love the boots. Through June 26.<\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>No water so still as the dead fountains of Versailles Marianne Moore 1887 &#8211; 1972 Modernism scorned the decorative. More than a century later, its patterned flourishes are a kind of ghostly garden for Claudia Fitch, now showing at Greg Kucera. THE EDGE OF THE WORLD, 2010 Graphite oil pastel on Strathmore drawing paper 45.5 [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1745","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1745","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1745"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1745\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1745"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1745"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1745"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}