{"id":1723,"date":"2010-05-12T16:10:25","date_gmt":"2010-05-12T23:10:25","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2010\/05\/adam_satushek_-_upbeat_odditie\/"},"modified":"2010-05-12T16:10:25","modified_gmt":"2010-05-12T23:10:25","slug":"adam_satushek_-_upbeat_odditie","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2010\/05\/adam_satushek_-_upbeat_odditie.html","title":{"rendered":"Adam Satushek &#8211; upbeat oddities"},"content":{"rendered":"<p>Among the Seattle exhibits I missed writing about last month, when I was first in New York and later part of ArtsJournal&#8217;s malware attack that shut the site down, is Adam Satushek&#8217;s <a href=\"http:\/\/www.platformgallery.com\/artist_pages\/Satushek\/annex1.html\"><i>Annex<\/i><\/a> at Platform Gallery. <\/p>\n<p>His photos have a whistle-while-we-work nuttiness. With the lightest of touches, Satushek documents the exuberant irrationality of never-say-die. Missing is any sense of disdain, as if the photographer also believes that mice can be men, and a Mr. Fixit approach to decor can turn a track<strike>ed<\/strike> home into a forest.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"adamsatushekfence.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/adamsatushekfence.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"349\" width=\"450\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Among the Seattle exhibits I missed writing about last month, when I was first in New York and later part of ArtsJournal&#8217;s malware attack that shut the site down, is Adam Satushek&#8217;s Annex at Platform Gallery. His photos have a whistle-while-we-work nuttiness. With the lightest of touches, Satushek documents the exuberant irrationality of never-say-die. Missing [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1723","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1723","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1723"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1723\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1723"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1723"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}