{"id":1722,"date":"2010-05-10T11:23:10","date_gmt":"2010-05-10T18:23:10","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2010\/05\/when_he_was_a_kid_1\/"},"modified":"2010-05-10T11:23:10","modified_gmt":"2010-05-10T18:23:10","slug":"when_he_was_a_kid_1","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2010\/05\/when_he_was_a_kid_1.html","title":{"rendered":"Oscar Tuazon &#038; Elias Hansen: fogs condensed"},"content":{"rendered":"<p>The sun hangs like a phlegm in the dirty handkerchief of the sky in Oscar Tuazon&#8217;s recent installation at <a href=\"http:\/\/www.maccarone.net\/\">Maccarone<\/a>: post-apocalyptic desolation in a fine-boned body, corrosive content merged with grace.<\/p>\n<p>(Tuazon images <a href=\"http:\/\/www.16miles.com\/2010\/04\/oscar-tuazon-my-flesh-to-your-bare.html\">via<\/a>)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"oscartuazonsun.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/oscartuazonsun.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"579\" width=\"400\" \/>Meanwhile, in Seattle, his brother Elias Hansen talked about his exhibit at <a href=\"http:\/\/www.lawrimoreproject.com\/lp\/Elias_Hansen.html\">Lawrimore Project<\/a> last Saturday, the show&#8217;s last day. <\/p>\n<p>Here&#8217;s Eli&#8217;s sun:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"elihansenlens.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/elihansenlens.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"337\" width=\"450\" \/>It&#8217;s a lens, the kind used to spark a fire in the woods, or maybe the bottom of a Coke bottle. Tuazon and Hansen see darkly, like fogs condensed, but there are differences. The former has the feel of a massive utterance, and the latter mutters into his hands, his useful, practical hands.<\/p>\n<p>Another difference: Aside from collaborating with his brother, Tuazon appears to be a bit of a solitary. Hansen almost always works with others and makes art about being with others, specifically, what they did in their youths, looking for shots of sainthood through drugs and kids&#8217; salvage saved in cigar boxes under the bed.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"elihansencigarbx.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/elihansencigarbx.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"481\" width=\"359\" \/>Hansen is also a glass blower, which is inherently a collaborative medium. As Jen Graves <a href=\"http:\/\/slog.thestranger.com\/slog\/archives\/2010\/04\/30\/currently-hanging-eli-hansen\">noted<\/a>, there&#8217;s more than a touch of <a href=\"http:\/\/www.chihuly.com\/\">Dale Chihuly<\/a>&#8216;s <i>Venetians<\/i> in piece below, especially the concrete urn at the lower right:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"elihansendalec.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/elihansendalec.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"606\" width=\"400\" \/> Like <a href=\"http:\/\/www.travergallery.com\/gallery_artist_details\/Mark-Zirpel.aspx\">Mark Zirpel<\/a>, Hansen is a new future for Northwest glass. Stripped bare of an interest in the decorative, their brides no longer look to <a href=\"http:\/\/en.wikipedia.org\/wiki\/Versailles\">Versailles<\/a> or <a href=\"http:\/\/en.wikipedia.org\/wiki\/Murano_glass\">Murano<\/a>. They use the trains of their dresses to make tents, and the cakes they eat come from ovens they build themselves. (Previous post <a href=\"http:\/\/www.artsjournal.com\/anotherbb\/2010\/05\/oscar-tuazoneli-hansen-bicoast.html\">here<\/a>.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The sun hangs like a phlegm in the dirty handkerchief of the sky in Oscar Tuazon&#8217;s recent installation at Maccarone: post-apocalyptic desolation in a fine-boned body, corrosive content merged with grace. (Tuazon images via) Meanwhile, in Seattle, his brother Elias Hansen talked about his exhibit at Lawrimore Project last Saturday, the show&#8217;s last day. Here&#8217;s [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1722","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1722","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1722"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1722\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1722"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1722"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1722"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}