{"id":1713,"date":"2010-05-05T12:54:35","date_gmt":"2010-05-05T19:54:35","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2010\/05\/oscar_tuazoneli_hansen_bicoast\/"},"modified":"2010-05-05T12:54:35","modified_gmt":"2010-05-05T19:54:35","slug":"oscar_tuazoneli_hansen_bicoast","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2010\/05\/oscar_tuazoneli_hansen_bicoast.html","title":{"rendered":"Oscar Tuazon\/Elias Hansen: bicoastal brothers"},"content":{"rendered":"<p>Like a dead sun rotting overhead, Oscar Tuazon&#8217;s stained orb drips on the floor of his latest exhibit at <a href=\"http:\/\/www.maccarone.net\/\">Maccarone<\/a> in New York. Although his broken concrete blocks, bare-bulb fluorescent light, steel panels and cracked glass are the essence of industrial, his rubble has an innate elegance, more akin to <a href=\"http:\/\/www.google.com\/images?q=cy+twombly&amp;oe=utf-8&amp;client=firefox-a&amp;rlz=1R1MOZA_en___US365&amp;um=1&amp;ie=UTF-8&amp;source=univ&amp;ei=9lXiS_yENo6ysgPX7s26DQ&amp;sa=X&amp;oi=image_result_group&amp;ct=title&amp;resnum=1&amp;ved=0CBgQsAQwAA\">Cy Twombly<\/a>&#8216;s than anything produced by process artists of the 1970s, from Eva Hesse to Richard Serra.<\/p>\n<p>(Tuazon images <a href=\"http:\/\/www.16miles.com\/2010\/04\/oscar-tuazon-my-flesh-to-your-bare.html\">via<\/a>)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"oscartuazonsun.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/oscartuazonsun.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"579\" width=\"400\" \/>These sculptures come with texts piped into the galleries. Vito Acconci<br \/>\nreads from his proposal for the Halley II Research Station, <i>Antarctica<br \/>\nof the Mind<\/i>, and Tuazon reads a monologue about another kind of<br \/>\narchitecture, one that he could both climb into and carry in his body.<br \/>\nAs Alan Ginsberg wrote in San Jose in 1954, yes, yes\/ that&#8217;s what\/ I<br \/>\nwanted,\/ I always wanted,\/ I always wanted,\/ to return\/ to the body\/<br \/>\nwhere I was born.&#8221;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"oscartuazonconcrete.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/oscartuazonconcrete.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"443\" width=\"400\" \/>Meanwhile, in Seattle, his younger brother Eli Hansen is showing at <a href=\"http:\/\/www.lawrimoreproject.com\/lp\/Elias_Hansen.html\"><br \/>\nLawrimore Project<\/a>, and elegant is not the first word that comes to mind.<br \/>\nTuazon has a brooding poetics with real muscle, but Hansen puts his<br \/>\nmuscle to more practical use. His work evokes his youth on Washington&#8217;s Olympic Peninsula, where he and his brother and friends envisioned themselves as outlaw makers, using any x or y to get high, build a shelter, make a radio and reinvent their lives through scraps, discards and music. <\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"elihansenbrogla3.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/elihansenbrogla3.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"347\" width=\"400\" \/><img loading=\"lazy\" decoding=\"async\" alt=\"elihansencigarbx.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/elihansencigarbx.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"481\" width=\"359\" \/>Here&#8217;s a piece they built together &#8211; <i>Home Brew Bottle Wall<\/i>, 2008, glass blown by Eli. <\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"elioscarwall.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/elioscarwall.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"346\" width=\"403\" \/>Hansen talks about his work on Saturday at noon at Lawrimore. He&#8217;s showing at Maccarone in July. <\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Like a dead sun rotting overhead, Oscar Tuazon&#8217;s stained orb drips on the floor of his latest exhibit at Maccarone in New York. Although his broken concrete blocks, bare-bulb fluorescent light, steel panels and cracked glass are the essence of industrial, his rubble has an innate elegance, more akin to Cy Twombly&#8216;s than anything produced [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1713","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1713","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1713"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1713\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1713"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1713"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}