{"id":1684,"date":"2010-04-06T12:23:36","date_gmt":"2010-04-06T19:23:36","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2010\/04\/alice_wheeler_-_fairy_lights\/"},"modified":"2010-04-06T12:23:36","modified_gmt":"2010-04-06T19:23:36","slug":"alice_wheeler_-_fairy_lights","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2010\/04\/alice_wheeler_-_fairy_lights.html","title":{"rendered":"Alice Wheeler &#8211; fairy lights"},"content":{"rendered":"<p>The game of cranking up the color on old TV sets offers rich rewards. Instead of verisimilitude, pink people can be cast in a <em><\/em>cyanotic blue, and brown ones turned golden, like toast under butter. Landscapes too change in the over-charge of artificial light, as the stately succumbs to the carnival.<\/p>\n<p>Alice Wheeler never met a natural thing that couldn&#8217;t be improved upon by the addition of cheap charm.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"alicewheelfairylits.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/alicewheelfairylits.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"332\" width=\"500\" \/><img loading=\"lazy\" decoding=\"async\" alt=\"alicewheelerredlite.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/alicewheelerredlite.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"331\" width=\"500\" \/>Wheeler&#8217;s inkjet prints are part of <a href=\"http:\/\/www.gregkucera.com\/made_in_usa.htm\"><i>Made in the U.S.A.<\/i><\/a> at Greg Kucera, through May 15.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The game of cranking up the color on old TV sets offers rich rewards. Instead of verisimilitude, pink people can be cast in a cyanotic blue, and brown ones turned golden, like toast under butter. Landscapes too change in the over-charge of artificial light, as the stately succumbs to the carnival. Alice Wheeler never met [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1684","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1684","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1684"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1684\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1684"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1684"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1684"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}