{"id":1683,"date":"2010-04-06T10:09:55","date_gmt":"2010-04-06T17:09:55","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2010\/04\/ron_van_der_ende_-_bare_bones\/"},"modified":"2010-04-06T10:09:55","modified_gmt":"2010-04-06T17:09:55","slug":"ron_van_der_ende_-_bare_bones","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2010\/04\/ron_van_der_ende_-_bare_bones.html","title":{"rendered":"Ron Van Der Ende &#8211; bare bones"},"content":{"rendered":"<p>Rotterdam&#8217;s <a href=\"http:\/\/ronvanderende.nl\/\">Ron Van Der Ende<\/a> builds from salvaged wood. He paints nothing. He specializes in festishized tableaus, objects that serve as emblems of historic import.<\/p>\n<p>His partial block of shotgun houses from New Orleans&#8217; Ninth Ward floats<br \/>\non the wall, the white of the wall serving as the water that carried<br \/>\nthem away.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"ronvanrowhouse.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/ronvanrowhouse.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"280\" width=\"500\" \/>As Ben told his younger brother <a href=\"http:\/\/en.wikipedia.org\/wiki\/Death_of_a_Salesman\">Willy<\/a>, the woods are burning.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"ronvanderlog.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/ronvanderlog.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"198\" width=\"456\" \/>Detail:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"ronvanderlogdtal.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/ronvanderlogdtal.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"398\" width=\"497\" \/>The only other artist who makes such an exuberant overuse of tiny nails is <a href=\"http:\/\/images.google.com\/imgres?imgurl=http:\/\/www.artsmia.org\/mia\/images\/17\/mia_17925g.jpg&amp;imgrefurl=http:\/\/www.artsmia.org\/viewer\/detail.php%3Fid%3D8450%26i%3D4%26v%3D12%26op%3D568&amp;usg=__-2aHjb8A0FtmHfwyrhPBRIlUEGE=&amp;h=240&amp;w=260&amp;sz=37&amp;hl=en&amp;start=26&amp;sig2=4FMU1MAj8xYcmzYgIXKIIQ&amp;um=1&amp;itbs=1&amp;tbnid=TvsEBrmfKlLYMM:&amp;tbnh=103&amp;tbnw=112&amp;prev=\/images%3Fq%3Dtony%2Bberlant%26start%3D20%26um%3D1%26hl%3Den%26client%3Dfirefox-a%26sa%3DN%26rlz%3D1R1MOZA_en___US365%26ndsp%3D20%26tbs%3Disch:1&amp;ei=QHW7S6qtA4qKtAPj1uSJCA\">Tony Berlant<\/a>. Berlant uses his as punctuation. They complete the already completed. Van Der Ende&#8217;s underscore the futility of literal reproduction. From fragments that have outlived their original use he creates another use entirely. His sculptures float, like spirits. No matter how lumbering their presence, they are almost not there, frozen in the act of erasing themselves.<\/p>\n<p>To May 2 at <a href=\"http:\/\/www.ambachandrice.com\/home2.html\">Ambach &amp; Rice<\/a>. <\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Rotterdam&#8217;s Ron Van Der Ende builds from salvaged wood. He paints nothing. He specializes in festishized tableaus, objects that serve as emblems of historic import. His partial block of shotgun houses from New Orleans&#8217; Ninth Ward floats on the wall, the white of the wall serving as the water that carried them away. As Ben [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1683","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1683"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1683\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1683"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1683"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}