{"id":1673,"date":"2010-03-30T12:40:03","date_gmt":"2010-03-30T19:40:03","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2010\/03\/seattle_exhibits_opening_in_ap\/"},"modified":"2010-03-30T12:40:03","modified_gmt":"2010-03-30T19:40:03","slug":"seattle_exhibits_opening_in_ap","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2010\/03\/seattle_exhibits_opening_in_ap.html","title":{"rendered":"Seattle exhibits opening in April"},"content":{"rendered":"

Talk about living in your head. Gala Bent’s Matrix for Praxis (<\/em>Graphite and gouache, 30″ x 22″) conjures an animal that has freed itself from animal nature. Its head is celestial, its body vestigial. <\/p>\n

\"galabentmatrix.jpg\"Bent is in Transubstantial  <\/i>at Catherine Person<\/a>, along with Colleen Hayward, Renee Zettle-Sterling and Heidi Schwegler, opening Thursday night as part of Pioneer Square’s First Thursday Gallery Walk, 6-8.<\/p>\n

Also opening Thursday night in the Square:

Made in the U.S.A.<\/i>, group show of gallery artists at Greg Kucera<\/a>. Sean M. Johnson at Howard House<\/a>. Marianne Pulfer at Grover\/Thurston<\/a>. Michael Kenna at G. Gibson<\/a>. Margot Quand Knight and Mirror Mirror<\/i> at James Harris<\/a>. Elias Hansen at Lawrimore Project<\/a>. Adam Satushek at Platform<\/a>. Jennifer Beedon Snow at Linda Hodges<\/a>. Sol Hashemi & Jason Hirata at Punch<\/a>. Chauney Peck and Ben Hirschkoff at Soil<\/a>. Rachel Maxi at Some Space<\/a>.You’re So Cool<\/i> at Ohge<\/a>.Troy Gua (and 50 collaborators) at Monrach<\/a>.
\n<\/span><\/strong>
Sean Johnson at Howard House:<\/p>\n

\"SeanJohnsonbike.jpg\"Opening Thursday outside the Square: Ray Ray Mitrano at Joe Bar<\/a>. Strange Coupling<\/i> at Ouch My Eye<\/a>. Catherine Grisez at Traver Gallery<\/a>. Julie Speidel and Tracy Rocca at
\nWinston
\nWachter<\/a>.<\/p>\n

Joey Veltkamp from Strange Coupling<\/i>:<\/p>\n

\"joeyveltkamp2blu.jpg\"Already open: <\/p>\n

Ron van der Ende at Ambach & Rice<\/a>,
\nthrough May 2. James Diez and Michael Dailey at Francine Seders<\/a>, through April 11. Lush Life 2<\/i> at Roq La Rue<\/a> through May 7, and Alden Mason<\/a> at Foster\/White Gallery<\/a>, through April 27. Note to Foster\/White: Please don’t describe Mason’s work. Your quote: “At age 90, Alden Mason returns to Foster\/White Gallery with his ever-enchanting sense of humor and whimsy.”  Ever-enchanting sense of humor and whimsy? Shoot me. Mason is much better at locating his terrain. “My paintings are a private world of improvisation, spontaneity, humor and pathos, exaggeration and abandon.” <\/span><\/font>Go with that and end with that. <\/p>\n

Alden Mason at Foster\/White:<\/p>\n

\"aldenmasongren.jpg\"Opening later in the month: 5 x 5 at Grey Gallery<\/a>, opening April 8. Benton Peugh at Fetherston Gallery<\/a> on April 9. <\/p>\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

Talk about living in your head. Gala Bent’s Matrix for Praxis (Graphite and gouache, 30″ x 22″) conjures an animal that has freed itself from animal nature. Its head is celestial, its body vestigial. Bent is in Transubstantial  at Catherine Person, along with Colleen Hayward, Renee Zettle-Sterling and Heidi Schwegler, opening Thursday night as part […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1673","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1673","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1673"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1673\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1673"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1673"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1673"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}