{"id":1655,"date":"2010-03-13T20:54:03","date_gmt":"2010-03-14T04:54:03","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2010\/03\/light_bombs_the_moment_and_the\/"},"modified":"2010-03-13T20:54:03","modified_gmt":"2010-03-14T04:54:03","slug":"light_bombs_the_moment_and_the","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2010\/03\/light_bombs_the_moment_and_the.html","title":{"rendered":"Light bombs: the moment, and the moment after"},"content":{"rendered":"<p>More than 40 years after the generation that practiced duck-and-cover stood up to resume its normal programming, artists continue to imagine what the moment might have been, and the moment after. Mostly, they&#8217;re interested in the light. <\/p>\n<p><i><a href=\"http:\/\/monarchartstudio.com\/Artists\/tatiana%20garmendia\/bailey%20russel\/baileyrusselcata.html\">Bailey Russel<\/a> &#8211;<\/i> <i>Space Needle 1<\/i><\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/03\/BaileyRussspaceneed-13998.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/03\/BaileyRussspaceneed-13998.html','popup','width=800,height=604,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/03\/BaileyRussspaceneed-thumb-500x377-13998.jpg\" alt=\"BaileyRussspaceneed.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"377\" width=\"500\" \/><\/a><i>Russel, Space Needle 3<\/i><\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/03\/baileyrussspaceneed2-14001.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/03\/baileyrussspaceneed2-14001.html','popup','width=800,height=601,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/03\/baileyrussspaceneed2-thumb-500x375-14001.jpg\" alt=\"baileyrussspaceneed2.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"375\" width=\"500\" \/><\/a><i><a href=\"http:\/\/www.curtiserlinger.com\/*\/inklings9.html\">Curtis Erlinger<\/a> Sound<\/i><\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/03\/curtiserlingersond-14004.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/03\/curtiserlingersond-14004.html','popup','width=670,height=493,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/03\/curtiserlingersond-thumb-500x367-14004.jpg\" alt=\"curtiserlingersond.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"367\" width=\"500\" \/><\/a><i><a href=\"http:\/\/www.lawrimoreproject.com\/lp\/Artists\/Pages\/Claudia_X_Valdes.html#7\"><span style=\"line-height: 16.245px;\" class=\"style_5\">Claudia X. Valdes<\/span><\/a> (Image <a href=\"http:\/\/www.claudiaxvaldes.com\/photo\/trinityseries.html\">via<\/a>)<\/i><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"claudiavaldeszero.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/claudiavaldeszero.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"375\" width=\"500\" \/><i><a href=\"http:\/\/www.yanobe.com\/works.html\">Kenji Yanobe<\/a> Atom (Image <a href=\"http:\/\/www.google.com\/imgres?imgurl=http:\/\/z.about.com\/d\/arthistory\/1\/0\/L\/7\/04_Yanobe_Atom.jpg&amp;imgrefurl=http:\/\/arthistory.about.com\/od\/from_exhibitions\/ig\/Double-Take\/04_Yanobe_Atom.htm&amp;h=500&amp;w=497&amp;sz=207&amp;tbnid=lHYgSt3Uwq-qRM:&amp;tbnh=226&amp;tbnw=224&amp;prev=\/images%3Fq%3DKenji%2BYanobe&amp;usg=__re37b1isx1qXDOpu62dGhr-xl2I=&amp;ei=VHacS6KMM4GSsgPX-uWdAg&amp;sa=X&amp;oi=image_result&amp;resnum=1&amp;ct=image&amp;ved=0CA4Q9QEwAA\">via<\/a>)<\/i><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"KenjiYanobeAtom.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/KenjiYanobeAtom.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"500\" width=\"497\" \/>Yanobe is not conjuring with a potential crisis or one averted. The light to which he refers rocked his country. Twice. <\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>More than 40 years after the generation that practiced duck-and-cover stood up to resume its normal programming, artists continue to imagine what the moment might have been, and the moment after. Mostly, they&#8217;re interested in the light. Bailey Russel &#8211; Space Needle 1 Russel, Space Needle 3 Curtis Erlinger Sound Claudia X. Valdes (Image via) [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1655","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1655","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1655"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1655\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1655"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1655"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1655"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}