{"id":1554,"date":"2010-02-15T19:50:32","date_gmt":"2010-02-16T03:50:32","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2010\/02\/physics_as_fun_-_color_abstrac\/"},"modified":"2010-02-15T19:50:32","modified_gmt":"2010-02-16T03:50:32","slug":"physics_as_fun_-_color_abstrac","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2010\/02\/physics_as_fun_-_color_abstrac.html","title":{"rendered":"Color Field meets the comics"},"content":{"rendered":"<p>Beginning in the diverse field of <a href=\"http:\/\/images.google.com\/images?q=roy+lichtenstein&amp;oe=utf-8&amp;client=firefox-a&amp;rlz=1R1MOZA_en___US365&amp;um=1&amp;ie=UTF-8&amp;ei=SxF7S8mGIoessgPQm8XLCA&amp;sa=X&amp;oi=image_result_group&amp;ct=title&amp;resnum=1&amp;ved=0CFUQsAQwAA\">Roy Lichtenstein<\/a>, <a href=\"http:\/\/images.google.com\/images?q=philip+guston&amp;oe=utf-8&amp;client=firefox-a&amp;rlz=1R1MOZA_en___US365&amp;um=1&amp;ie=UTF-8&amp;ei=axF7S6vuDIXAsQPr7bG8Cw&amp;sa=X&amp;oi=image_result_group&amp;ct=title&amp;resnum=1&amp;ved=0CEwQsAQwAA\">Philip Guston<\/a>, <a href=\"http:\/\/images.google.com\/images?q=alex+katz&amp;oe=utf-8&amp;client=firefox-a&amp;rlz=1R1MOZA_en___US365&amp;um=1&amp;ie=UTF-8&amp;ei=hBF7S5fnNYe2sgPF8LjLCA&amp;sa=X&amp;oi=image_result_group&amp;ct=title&amp;resnum=1&amp;ved=0CE0QsAQwAA\">Alex Katz<\/a>, <a href=\"http:\/\/www.saic.edu\/webspaces\/rogerbrown\/brown\/publicinchicagoprints.html\">Roger Brown<\/a>, <a href=\"http:\/\/images.google.com\/images?q=jim+nutt&amp;oe=utf-8&amp;client=firefox-a&amp;rlz=1R1MOZA_en___US365&amp;um=1&amp;ie=UTF-8&amp;ei=hRB7S8KtN4XqsQON9fXKCA&amp;sa=X&amp;oi=image_result_group&amp;ct=title&amp;resnum=1&amp;ved=0CFIQsAQwAA\">Jim Nutt<\/a> and <a href=\"http:\/\/www.jeanalbano-artgallery.com\/nilsson\/\">Gladys Nilsson<\/a>, the influence of comic strips on figurative artists became easy to track. Abstraction is different. <a href=\"http:\/\/www.pbs.org\/art21\/artists\/murray\/index.html\">Elizabeth Murray<\/a> pioneered, but few followed.<\/p>\n<p>They&#8217;re following now. These artists favor curved over straight lines, rebounds over splats. They seek the painterly sweet spot, a place where the ball bounces without bothering to articulate a ball. They infuse into their colored grounds the comic spirit of up and at &#8217;em. <\/p>\n<p><a href=\"http:\/\/www.artnet.com\/artwork\/425650025\/139122\/karin-davie-pushed-pulled-depleted-and-duplicated.html\">Karin Davie<\/a> (her Web site <a href=\"http:\/\/www.karindavie.com\/#\">here<\/a>)<\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/02\/karendaviefun-13223.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/02\/karendaviefun-13223.html','popup','width=651,height=481,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/02\/karendaviefun-thumb-460x339-13223.jpg\" alt=\"karendaviefun.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"339\" width=\"460\" \/><\/a>Davie is so crucial I&#8217;m going to reproduce her twice. If her paintings were particle physicists, they&#8217;d pop gum at the podium.<\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/02\/karindaviearrest-13227.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/02\/karindaviearrest-13227.html','popup','width=575,height=432,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/02\/karindaviearrest-thumb-460x345-13227.jpg\" alt=\"karindaviearrest.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"345\" width=\"460\" \/><\/a><a href=\"http:\/\/www.jamesharrisgallery.com\/Artists\/Claude%20Zervas\/zervas.html\">Claude Zervas<\/a> &#8211; comic abstraction imitating a flower.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"claudezervasfun.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/claudezervasfun.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"596\" width=\"405\" \/><a href=\"http:\/\/www.gregkucera.com\/waterston.htm\">Darren Waterston<\/a> &#8211; sci-fi spiritualism meets Chinese landscape painting merged with <a href=\"http:\/\/en.wikipedia.org\/wiki\/George_Herriman\">George Herriman<\/a> to beget gorgeous goo.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"darrenwaterfun.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/darrenwaterfun.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"326\" width=\"464\" \/><a href=\"http:\/\/susandory.com\/\">Susan Dory<\/a>: Comparing her to mid-20th century Color Field figure such as <a href=\"http:\/\/images.google.com\/images?q=morris+louis&amp;oe=utf-8&amp;client=firefox-a&amp;rlz=1R1MOZA_en___US365&amp;um=1&amp;ie=UTF-8&amp;ei=9xN7S5_vNJKwsgOf56DLCA&amp;sa=X&amp;oi=image_result_group&amp;ct=title&amp;resnum=1&amp;ved=0CE4QsAQwAA\">Morris Louis<\/a> is useful. His transparent, overlapping mounds of color are art in art about art. Hers, less transparent, have roots in thought bubbles, Internet tubes and tunnels made by moles planning to surface in Elmer Fudd&#8217;s garden. <\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"susandorygrid.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/susandorygrid.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"357\" width=\"400\" \/><a href=\"http:\/\/www.lincart.com\/artists\/Omar_Chacon\">Omar Chacon<\/a> &#8211; It&#8217;s raining in Toon Town<br \/><img loading=\"lazy\" decoding=\"async\" alt=\"chaconuntitledaug06.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/chaconuntitledaug06.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"341\" width=\"468\" \/>More Chacon, <a href=\"http:\/\/lincart.com\/artists\/Omar_Chacon\/detailchacon\">detail<\/a>:<\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/02\/detailchacon.sized-13247.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/02\/detailchacon.sized-13247.html','popup','width=640,height=337,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/02\/detailchacon.sized-thumb-480x252-13247.jpg\" alt=\"detailchacon.sized.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"252\" width=\"480\" \/><\/a><a href=\"http:\/\/www.hauserwirth.com\/artists\/12\/mary-heilmann\/images-clips\/22\/\">Mary Heilmann<\/a> &#8211; life in a comic strip highrise<br \/><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/02\/maryheilmanndark-13252.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/02\/maryheilmanndark-13252.html','popup','width=550,height=674,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/02\/maryheilmanndark-thumb-450x551-13252.jpg\" alt=\"maryheilmanndark.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"551\" width=\"450\" \/><\/a><a href=\"http:\/\/haroldhollingsworth.blogspot.com\/2010\/01\/awash.html\">Harold Hollingsworth<\/a> &#8211; When comic weather takes a dark turn, forked tongues serve as rain.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"haroldhollingsdark.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/haroldhollingsdark.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"500\" width=\"375\" \/><a href=\"http:\/\/www.aaronbagley.com\/home.html\">Aaron Bagley<\/a> &#8211; up, up and away<\/p>\n<p><a href=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/02\/aaronbagleyStretchpants-13255.html\" onclick=\"window.open('http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/02\/aaronbagleyStretchpants-13255.html','popup','width=600,height=617,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/assets_c\/2010\/02\/aaronbagleyStretchpants-thumb-450x462-13255.jpg\" alt=\"aaronbagleyStretchpants.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"462\" width=\"450\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Beginning in the diverse field of Roy Lichtenstein, Philip Guston, Alex Katz, Roger Brown, Jim Nutt and Gladys Nilsson, the influence of comic strips on figurative artists became easy to track. Abstraction is different. Elizabeth Murray pioneered, but few followed. They&#8217;re following now. These artists favor curved over straight lines, rebounds over splats. They seek [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1554","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1554","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1554"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1554\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1554"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1554"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1554"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}