{"id":1542,"date":"2010-02-12T11:22:53","date_gmt":"2010-02-12T19:22:53","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2010\/02\/the_olympics_light_your_cigare\/"},"modified":"2010-02-12T11:22:53","modified_gmt":"2010-02-12T19:22:53","slug":"the_olympics_light_your_cigare","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2010\/02\/the_olympics_light_your_cigare.html","title":{"rendered":"The Olympics: Light your cigarettes!"},"content":{"rendered":"<p>The 2010 Vancouver Olympics opens tonight with, as the <a href=\"http:\/\/www.vancouver2010.com\/\">Web site<\/a> claims, &#8220;glowing hearts.&#8221;  Torch relay runners have made their way around the city, culminating in the lighting the Olympic torch.<\/p>\n<p><a href=\"http:\/\/artspeak.ca\/exhibitions\/event_detail.html?event_id=196\">Michael Drebert<\/a> beat them to it. Last month he lit a cigarette in Vancouver and drove south to Seattle, firing one cigarette from the butt of the previous until he reached <a href=\"http:\/\/www.westernbridge.org\/\">Western Bridge<\/a>, where he offered to light others&#8217; cigarettes from his. Hanging in a gallery was his hand-drawn poster of the plan, which he calls <i>Ember<\/i>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"michaeldrebertsmoke.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/michaeldrebertsmoke.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"501\" width=\"500\" \/><br \/>\nDrebert was the first artist invited by Western Bridge to participate in its new seires titled <a href=\"http:\/\/westernbridge.org\/newyear\/projects\/new-year-1-michael-drebert\/\"><i>New Year<\/i><\/a>. He&#8217;s one of 13 commissioned to do whatever they want in the upstairs gallery, within the limitations of the space, time and budget. Western Bridge isn&#8217;t kidding about the limitations of time. Each show is two weeks, open Thursdays to Saturdays. That&#8217;s a 6-day run. <\/p>\n<p><a href=\"http:\/\/www.thestranger.com\/slog\/archives\/2010\/01\/19\/currently-hanging-michael-drebert&amp;view=comments\">Jen Graves<\/a> called Drebert&#8217;s performance and drawing &#8220;boundless, funny and sweet.&#8221; Sweet? Really? How many dead smokers does she know? How many with emphysema, trying to breathe through the wet tissue that used to be their lungs?<br \/><i><br \/><em><\/em><\/i> Yes, this down-at-the-heels version of the Vancouver Olympic Torch is wry commentary on a winter show that lacks snow. It&#8217;s wry commentary on the Olympics themselves, and how sponsoring it affects (erases) a city&#8217;s down and out. And yes, it&#8217;s chummy, especially for those who ignore the chill buried inside it. I know at least one former smoker who relapsed in order to participate. (Talk about hunger for community.) For those who aren&#8217;t even trying to quit, Drebert offered a moment of solidarity with a bad choice, if it is a choice for the hardcore addicted. Show them a film of people smoking through a hole in their throats after cancer surgery. With trembling fingers, the addicts in the audience will light their next one. <\/p>\n<p>Art has no obligation to be good for you. No doubt Drebert aced his own assignment, but calling that assignment&nbsp; &#8220;boundless, funny and sweet&#8221; is at the very least insufficient. Drebert provided thin ice. To pretend all was well was to fall through it.<\/p>\n<p>&nbsp;Currently on view is Matt Sheridan Smith&#8217;s <i>Flotsam\/Jetsam<\/i>, through Feb. 20.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The 2010 Vancouver Olympics opens tonight with, as the Web site claims, &#8220;glowing hearts.&#8221; Torch relay runners have made their way around the city, culminating in the lighting the Olympic torch. Michael Drebert beat them to it. Last month he lit a cigarette in Vancouver and drove south to Seattle, firing one cigarette from the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1542","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1542","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1542"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1542\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1542"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1542"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}