{"id":1529,"date":"2010-02-10T00:00:32","date_gmt":"2010-02-10T08:00:32","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2010\/02\/henry_ward_gives_seattle_a_bad\/"},"modified":"2010-02-10T00:00:32","modified_gmt":"2010-02-10T08:00:32","slug":"henry_ward_gives_seattle_a_bad","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2010\/02\/henry_ward_gives_seattle_a_bad.html","title":{"rendered":"Ryan Henry Ward gives Seattle a bad case of the cutes"},"content":{"rendered":"<p><b>Update, 2\/22:<\/b> <i>In the original piece, I left out the first part of the artist&#8217;s name. It&#8217;s Ryan Henry Ward, not Henry Ward. Second. Relying on previously published information, I wrote that his ambition was to paint 50 murals. He claims, to date, to have painted 70, for businesses that pay for the privilege. Even if I loved his work, 50 is too many. Seventy is insane. Public art is a little like books in a library. I don&#8217;t want to read about chemistry but don&#8217;t resent the chemistry texts housed there. If the public library was overwhelmed with chemistry books, I&#8217;d object. How much more objectionable is Ward&#8217;s work. It&#8217;s a mass of chemistry books I am unable to avoid. Bring back blank walls and let them erode in the rain!<\/i><\/p>\n<p><a href=\"http:\/\/www.ryanhenryward.com\/index.html\">Ryan Henry Ward<\/a> wants to paint <strike>50<\/strike> endless murals in public spaces in Seattle. Because so many people are encouraging him, he could well succeed.<\/p>\n<p>(Photo, <a href=\"http:\/\/www.seattlepi.com\/visualart\/400609_muralist19.html\">Mike Kane, Seattle PI<\/a>)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"henrywardmural.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/henrywardmural.jpg\" class=\"mt-image-center\" style=\"text-align: center; display: block; margin: 0pt auto 20px;\" height=\"257\" width=\"450\" \/>One mural would be tolerable. Even two. The number he has done is an outrage. If I wanted to live inside a sentimental children&#8217;s book, I&#8217;d be well on my way to starkers, and I&#8217;d ask him to paint the walls of my padded cell. Ward is whimsical. A sense of whimsy is fine in toddlers, but by the age of reason, children are ready to move on to more substantial fare. <\/p>\n<p>Coverage of his project is uniformly positive from what&#8217;s left of the press. (Examples <a href=\"http:\/\/www.ryanhenryward.com\/murals.html\">here<\/a>.) As Ward spreads his message of brain-dead cheer across the city, will no one speak up for those of us who prefer blank walls and\/or those graced with a collage of graffiti? Let Seattle be a city, and let Ward paint the inside of Barney&#8217;s rumpus room.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Update, 2\/22: In the original piece, I left out the first part of the artist&#8217;s name. It&#8217;s Ryan Henry Ward, not Henry Ward. Second. Relying on previously published information, I wrote that his ambition was to paint 50 murals. He claims, to date, to have painted 70, for businesses that pay for the privilege. Even [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1529","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1529","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1529"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1529\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1529"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1529"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1529"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}