{"id":1505,"date":"2010-02-01T22:05:13","date_gmt":"2010-02-02T06:05:13","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2010\/02\/opening_february_in_seattle\/"},"modified":"2010-02-01T22:05:13","modified_gmt":"2010-02-02T06:05:13","slug":"opening_february_in_seattle","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2010\/02\/opening_february_in_seattle.html","title":{"rendered":"Opening February in Seattle"},"content":{"rendered":"

 Short, dark month, but the art is good.<\/p>\n

Opening Wednesday night in Bellevue, 6-9 p.m.<\/i><\/b><\/font><\/p>\n

Open Satellite<\/a> launches a biennial of architectural model making titled Supermodel<\/i>, featuring students and Allied Works Architecture, AWA image below. (Clothespins are finally getting the respect they deserve.)<\/p>\n

\"alliedworksmodel.jpg\" Opening Thursday (10 a.m.-2 p.m.) at Wright Space, 407 Dexter Ave. N.<\/i><\/b><\/font><\/p>\n

BIG IS BETTER (or so some claim)<\/i> Large-scale paintings from the Virginia and Bagley Wright<\/span> collection, 1960s-1980s, featuring <\/span><\/span> Jennifer Bartlett, Al Held, Al
\nJensen, Donald Judd, Robert Longo, Larry Poons, James Rosenquist, Susan
\nRothenberg, Julian Schnabel and Frank Stella.<\/p>\n

Opening Thursday night in Pioneer Square, 6-8 p.m.<\/i><\/b><\/font> <\/p>\n

The late Mary Henry at Howard House<\/a> – abstraction as echo chamber.<\/p>\n

\"maryhenryecho.jpg\"Gaylen Hansen at Linda Hodges<\/a>. These ducks matter.<\/p>\n

\"gaylenhansentwoducks.jpg\"Mandy Greer at Ohge Ltd<\/a> – If a little is good, more is so much better.<\/p>\n

\"mandygreerhair.jpg\"Fertilizing Utopias<\/i> at Soil<\/a>, with Claire Johnson’s tree portraits in the back space. In Fertilizing Utopias<\/i>, Vaughn Bell:<\/p>\n

\"vaughnbellmanhead.jpg\"Jason Hirata at James Harris<\/a> (pigment mixed with sweat, image in previous post<\/a>). Also at Harris, Alexander Kroll<\/a> – small scale, intimate gestures.<\/p>\n

<\/p>\n

\"alexanderknollwhite.jpg\"
 Sol Hasemi – Object History Awareness<\/i> – at Gallery4Culture<\/a>. Below, Bouquet of Flowers, (After Pissarro) <\/p>\n

<\/i>\"solhashemiflowers.jpg\"Anne Siems, Taxonomy of the Velvet Forest<\/i> at Grover\/Thurston<\/a>. Clothes unmake the girl.<\/p>\n

\"annesiemswhidress2.jpg\"Later in the month<\/i><\/b><\/font>:<\/font><\/p>\n

Rosa Lazzarini Feb.11 at Joe Bar<\/a>.<\/p>\n

\"rosalazzarinileo.jpg\"<\/p>\n

Alon Levine, Art for the Masses<\/i><\/a> Feb. 13 at Ambach & Rice. I’m sure the masses will be happy to hear it.<\/p>\n

\"alonlevineartmass.jpg\"Dan Webb, Stones and Flowers<\/i>, Feb. 18 at Greg Kucera<\/a>. Artist’s talk March 6, noon, in the gallery. (Webb is currently featured in a retrospective survey, Unring the Bell<\/i>, at Cornish College<\/a>.)<\/p>\n

\"danwebbstoneribb.jpg\"Also Feb. 18 at Kucera – Roger Shimomura’s recent painting. He will lecture March 18, 7 p.m., at the Wing Luke Museum.<\/p>\n

\"rogershimomuraenemies.jpg\"Tivon Rice Feb. 18 at Lawrimore Projec<\/a>t. Among other things, Rice makes light sculptures for a better, more evolved planet.<\/p>\n

\"tivonriceplanet.jpg\"Also at Lawrimore – Jennie C. Jones
\"jenniecjonesdraw.jpg\"Robert Mirenzi Feb. 19 at Francine Seders<\/a>. He’s working with inflatable bladders, but it’s really all about color.
\"robertmirenzitire.jpg\"Michael Schall at Platform<\/a> Feb. 25 – how to die skiing. <\/p>\n

\"michaelschallski.jpg\"Already open this month – do not miss<\/i><\/b><\/font>: Claudia Fitch at Suyama Space<\/a>.<\/p>\n

\"claudiafitchnightshde.jpg\"<\/p>\n","protected":false},"excerpt":{"rendered":"

 Short, dark month, but the art is good. Opening Wednesday night in Bellevue, 6-9 p.m. Open Satellite launches a biennial of architectural model making titled Supermodel, featuring students and Allied Works Architecture, AWA image below. (Clothespins are finally getting the respect they deserve.) Opening Thursday (10 a.m.-2 p.m.) at Wright Space, 407 Dexter Ave. N. […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1505","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1505","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1505"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1505\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1505"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1505"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}