{"id":1504,"date":"2010-02-01T19:06:32","date_gmt":"2010-02-02T03:06:32","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2010\/02\/richard_pryor_series_at_sam\/"},"modified":"2010-02-01T19:06:32","modified_gmt":"2010-02-02T03:06:32","slug":"richard_pryor_series_at_sam","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2010\/02\/richard_pryor_series_at_sam.html","title":{"rendered":"Richard Pryor series at SAM"},"content":{"rendered":"<p><span>From the <a href=\"http:\/\/www.seattleartmuseum.org\/\">Seattle Art Museum<\/a>: <\/p>\n<p><\/span><\/p>\n<blockquote><p><span><span style=\"font-size: 12pt;\">SAM presents three films that spotlight the comic<br \/>\nbrilliance of Richard Pryor (1940-2005). Tickets for all three films:<br \/>\nnonmembers $20, SAM members $17. Tickets for individual films: $7.<\/span><\/span><span><span style=\"font-size: 12pt;\"><\/span><\/p>\n<p><\/span><\/p><\/blockquote>\n<blockquote><p><span><\/span><br \/>\nFebruary 5<br \/>\n<i>Silver Streak<\/i><br \/>\n(Arthur Hiller, 1976). Gene Wilder, Jill Clayburgh, Patrick McGoohan, Scatman Crothers. In 35 mm, color, 113 min.<br \/>\nIn this Hitchcock-style comic thriller Silver Streak, Pryor tries to teach uptight businessman Gene Wilder how to &#8220;move like a black man.&#8221;<\/p><\/blockquote>\n<p>&nbsp;<object height=\"344\" width=\"425\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/Yu1TZVX72Aw&amp;hl=en_US&amp;fs=1&amp;\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed src=\"http:\/\/www.youtube.com\/v\/Yu1TZVX72Aw&amp;hl=en_US&amp;fs=1&amp;\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" height=\"344\" width=\"425\"><\/object><\/p>\n<p>Whatever humor <i>Silver Streak<\/i> had in 1976 has leeched away in time. It was never more than the race version of <a href=\"http:\/\/www.imdb.com\/title\/tt0053291\/\"><i>Some Like It Hot<\/i><\/a>, a better movie by light years.<\/p>\n<p>February 12<\/p>\n<blockquote><p><i>Blue Collar<\/i><br \/>\n(Paul Schrader, 1978). Yaphet Kotto, Harvey Keitel, Ed Begley Jr. In 35 mm, color, 114 min.<br \/>\nBlue Collar features Pryor&#8217;s best acting performance as a fed-up auto worker who helps rob his bosses.<\/p>\n<p>&nbsp;<object height=\"344\" width=\"425\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/buggmz5mz9M&amp;hl=en_US&amp;fs=1&amp;\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed src=\"http:\/\/www.youtube.com\/v\/buggmz5mz9M&amp;hl=en_US&amp;fs=1&amp;\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" height=\"344\" width=\"425\"><\/object><br \/>\n<\/p><\/blockquote>\n<p>Great movie, but it has nothing to do with Pryor&#8217;s comedy. It&#8217;s a crime story, and he burns through it. <\/p>\n<p>February 19<\/p>\n<blockquote><p><i>Richard Pryor Live on the Sunset Strip<\/i><br \/>\n(Joe Layton, 1982). Cinematography by Haskell Wexler. In 35 mm, color, 82 min. Rated R for language.<br \/>\nRichard Pryor Live on the Sunset Strip gives us Pryor&#8217;s artistry as a stand-up comic as he transmutes personal problems into improvisational narratives that groove like jazz riffs.<br \/>\n<\/p><\/blockquote>\n<p><object height=\"344\" width=\"425\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/abNQbYQiKNE&amp;hl=en_US&amp;fs=1&amp;\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed src=\"http:\/\/www.youtube.com\/v\/abNQbYQiKNE&amp;hl=en_US&amp;fs=1&amp;\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" height=\"344\" width=\"425\"><\/object><\/p>\n<p>If you&#8217;re looking for the comic brilliance, go to this one. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>From the Seattle Art Museum: SAM presents three films that spotlight the comic brilliance of Richard Pryor (1940-2005). Tickets for all three films: nonmembers $20, SAM members $17. Tickets for individual films: $7. February 5 Silver Streak (Arthur Hiller, 1976). Gene Wilder, Jill Clayburgh, Patrick McGoohan, Scatman Crothers. In 35 mm, color, 113 min. In [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1504","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1504","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1504"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1504\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1504"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}