{"id":1488,"date":"2010-01-28T16:13:47","date_gmt":"2010-01-29T00:13:47","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2010\/01\/the_endless_art_auction_on_eba\/"},"modified":"2010-01-28T16:13:47","modified_gmt":"2010-01-29T00:13:47","slug":"the_endless_art_auction_on_eba","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2010\/01\/the_endless_art_auction_on_eba.html","title":{"rendered":"The endless art auction on eBay"},"content":{"rendered":"<p>Caleb Larsen&#8217;s <i>Tool to Deceive and Slaughter<\/i> is on view at <a href=\"http:\/\/www.lawrimoreproject.com\/lp\/Exhibitions\/Entries\/2010\/1\/7_CALEB_LARSEN.html\">Lawrimore Projec<\/a>t, but it sold on <a href=\"http:\/\/cgi.ebay.com\/ws\/eBayISAPI.dll?ViewItem&amp;Item=190367275705&amp;Category=60442&amp;_trkparms=algo%3DLVI%26its%3DI%26otn%3D2#ht_2502wt_1013&amp;autorefresh=true\">e-Bay earlier today<\/a> for $6,350. Auction over? No. This auction will never be over. <\/p>\n<p>Review <a href=\"http:\/\/www.artsjournal.com\/anotherbb\/2010\/01\/caleb-larsen---art-as-transact.html\">here<\/a>. Frquently asked questions below.<\/p>\n<blockquote>\n<ul>\n<li>\nQ: \tDoesn&#8217;t the first sale doctrine prevent you from collecting further payment past the initial sale of the item?<br \/>\nA: In order to be recognized as a work of art the contract must be<br \/>\nadhered to, and regards of who owns it and who buys it the contract<br \/>\nremains between the artist and the purchaser, not between buyer and<br \/>\nseller. <\/li>\n<\/ul>\n<\/blockquote>\n<p><\/p>\n<p><!--more--><\/p>\n<ul>\n<li>\nQ: \tWhat means does it use to connect to the Internet ? Wireless or other ?<br \/>\nA: \tIt specifically connect via wired ethernet, and it automatically obtains is IP through DHCP.\n<\/li>\n<li>\nQ: \tIf I were to buy this, how long could I expect to own it before it sells itself again?<br \/>\nA: It is hard to say. Like any commodity it is subject to demand. It<br \/>\ncould be moments or years. The perpetual state of uncertainty and the<br \/>\ninstability of ownership are primary components of the work. <\/li>\n<li>\nQ: How would you handle the contingencies of ebay shutting down\/going<br \/>\nunder? It seems difficult to maintain the &#8220;perpetual&#8221; state of auction<br \/>\nfor more than a few millennia.<br \/>\nA: The contract and the piece were designed to be platform agnostic to<br \/>\naccommodate for this. If eBay dries up and disappears, then another<br \/>\nplatform, either propriety or public, can be used for the selling. <\/li>\n<li>\nQ: \tWhat happens if the minimum bid is not met for one of the sales?<br \/>\nA: \tIf the minimum bid is not met, then it will repost itself a few minutes after the auction ends.\n<\/li>\n<li>\nQ: \tHow does one use this item? Is there a manual?<br \/>\nA: It is largely automated, but instructions for cleaning, maintenance,<br \/>\netc will be given to the purchaser after the sale. Any necessary<br \/>\nhardware and software maintenance upgrades are the responsibility of<br \/>\nthe artist. <\/li>\n<li>\nQ: Is the owner of the Artwork allowed to bid on it in the auction? If<br \/>\nso, is the owner still bound by clause #10, having to pay the Artist<br \/>\nextra money even without making a profit?<br \/>\nA: Hi. The owner of the Artwork is bound by the structures within which<br \/>\nthe work is being sold, in this case eBay. So bidding on something that<br \/>\none is selling constitutes &#8216;shill bidding&#8217;which is against the rules<br \/>\non eBay. Thanks for the question! <\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Caleb Larsen&#8217;s Tool to Deceive and Slaughter is on view at Lawrimore Project, but it sold on e-Bay earlier today for $6,350. Auction over? No. This auction will never be over. Review here. Frquently asked questions below. Q: Doesn&#8217;t the first sale doctrine prevent you from collecting further payment past the initial sale of the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1488","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1488","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1488"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1488\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1488"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1488"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}