{"id":1478,"date":"2010-01-23T14:55:32","date_gmt":"2010-01-23T22:55:32","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2010\/01\/back_tuesday\/"},"modified":"2010-01-23T14:55:32","modified_gmt":"2010-01-23T22:55:32","slug":"back_tuesday","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2010\/01\/back_tuesday.html","title":{"rendered":"Back Tuesday"},"content":{"rendered":"<p>I&#8217;ve gone to the countryside outside computer range to root around in the mud, admire the naked fists of bare trees and avoid eye contact with the methamphetamine farmers who populate the neighborhood. <\/p>\n<p><a href=\"http:\/\/www.chrisbuening.com\/gallery.php?gallery=newwork&amp;pic=methhead_web2.jpg\">Christopher Buening<\/a>, <i>Methhead<\/i><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"christopherbuenmeth.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/christopherbuenmeth.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"600\" width=\"453\" \/>Not as lovely, but far more likely to be loitering around:<\/p>\n<p><em><\/em><br \/>\n<object height=\"344\" width=\"425\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/4jH1zql_fQI&amp;hl=en_US&amp;fs=1&amp;\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed src=\"http:\/\/www.youtube.com\/v\/4jH1zql_fQI&amp;hl=en_US&amp;fs=1&amp;\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" height=\"344\" width=\"425\"><\/object><\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;ve gone to the countryside outside computer range to root around in the mud, admire the naked fists of bare trees and avoid eye contact with the methamphetamine farmers who populate the neighborhood. Christopher Buening, Methhead Not as lovely, but far more likely to be loitering around:<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1478","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1478","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1478"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1478\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1478"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1478"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1478"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}