{"id":1459,"date":"2010-01-16T17:31:14","date_gmt":"2010-01-17T01:31:14","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2010\/01\/haiti_give_25_get_jeff_antebi\/"},"modified":"2010-01-16T17:31:14","modified_gmt":"2010-01-17T01:31:14","slug":"haiti_give_25_get_jeff_antebi","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2010\/01\/haiti_give_25_get_jeff_antebi.html","title":{"rendered":"Haiti: Give $25, get Jeff Antebi photo"},"content":{"rendered":"

Jeff Antebi in Haiti before the earthquake:<\/p>\n

I was in the Haitian capital of Port-au-Prince, wandering at the edge
\nof a marketplace as the sun went down. Whole swaths of the city are
\nwithout electricity, government services or security. Things become
\nspectral, as areas heavily trafficked and lively by day transform into
\ndeserted, nightmarish landscapes. I navigated for several miles using
\ndistant bonfires like homing devices.<\/p><\/blockquote>\n

Cite Soleil<\/i>, 8 x 10 inches<\/p>\n

\"haitifire.jpg\"Antebi’s  photo-portrait of Haiti here<\/a>. All proceeds from the sale of Cite Soleil<\/i> go to Doctors Without Borders<\/a> and OxFam<\/a>, earmarked for Haiti. To purchase photo, email Wall Space Gallery<\/a> at <mailto:gallery@wallspaceseattle.com><\/a><\/span><\/font><\/font><\/font>.<\/p>\n

<\/http:><\/http:><\/http:><\/http:><\/http:><\/http:><\/http:><\/http:><\/http:><\/http:><\/http:><\/http:><\/http:><\/mailto:gallery@wallspaceseattle.com><\/http:><\/http:><\/p>\n","protected":false},"excerpt":{"rendered":"

Jeff Antebi in Haiti before the earthquake: I was in the Haitian capital of Port-au-Prince, wandering at the edge of a marketplace as the sun went down. Whole swaths of the city are without electricity, government services or security. Things become spectral, as areas heavily trafficked and lively by day transform into deserted, nightmarish landscapes. […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1459","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1459","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1459"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1459\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1459"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1459"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1459"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}