{"id":1436,"date":"2010-01-08T12:34:38","date_gmt":"2010-01-08T20:34:38","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2010\/01\/the_positive_note_-_two_paws_u\/"},"modified":"2010-01-08T12:34:38","modified_gmt":"2010-01-08T20:34:38","slug":"the_positive_note_-_two_paws_u","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2010\/01\/the_positive_note_-_two_paws_u.html","title":{"rendered":"The positive note – two paws up"},"content":{"rendered":"

Time for a positive note. As Jeffrey Mitchell<\/a>, both artist and bear, likes to say, “Two paws up<\/a>.” <\/p>\n

Here’s Seattle novelist Jonathan Evison<\/a> on an artist’s life, via Harold Hollingsworth<\/a>. They both identify with the Charlie Kaufman line from Adaptation<\/i><\/a>, “You are what you love, not what loves you.”<\/p>\n

 

Jeffry Mitchell<\/a>: In Seattle, he’s represented by Ambach & Rice<\/a>, although you’d never know it from looking at the gallery’s Web site. Note to A&R: artist list with images, please! It can’t be that hard, seeing as you represent only three people – Grant Barnhart<\/a>, Roy McMakin<\/a> and Mitchell.)<\/p>\n

<\/object>
\n\"JeffryMitchelllpicklejr.jpg\"Hollingsworth in 1967:<\/p>\n

\"HaroldHe still wears that hat or one suspiciously like it. What he does today, image via<\/a>.<\/p>\n

\"haroldhollingsworthbig.jpg\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Time for a positive note. As Jeffrey Mitchell, both artist and bear, likes to say, “Two paws up.” Here’s Seattle novelist Jonathan Evison on an artist’s life, via Harold Hollingsworth. They both identify with the Charlie Kaufman line from Adaptation, “You are what you love, not what loves you.”  Jeffry Mitchell: In Seattle, he’s represented […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1436","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1436","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1436"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1436\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1436"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1436"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1436"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}