{"id":1422,"date":"2010-01-03T17:24:28","date_gmt":"2010-01-04T01:24:28","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2010\/01\/abstract_expressionism_-_thriv\/"},"modified":"2010-01-03T17:24:28","modified_gmt":"2010-01-04T01:24:28","slug":"abstract_expressionism_-_thriv","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2010\/01\/abstract_expressionism_-_thriv.html","title":{"rendered":"Abstract Expressionism &#8211; thriving in all but name"},"content":{"rendered":"<p>A quick way to kill interest in a contemporary painting is to call it Abstract Expressionist, even neo-AbEx or in the tradition. As a tradition, it played itself out more than half a century ago. From dominant it fell to irretrievably historical, rooted in post-World War II New York with variants in other places (Paris, San Francisco, Seattle), all of which are also signed, sealed and delivered into the past.<\/p>\n<p>Before AbEx, abstraction was reductive. A<strike>p<\/strike>bEx gave flesh to those bones. Exuberant, intuitive and of-the-moment, it allowed the hand and arm to speak for mind and represent matter. Pop pushed the movement aside by making the passions of the second generation look hysterical, ego-driven and (worst of all) contrived. Pop was cool and fun-loving. AbEx was neither. Its pioneers held their own, but artists interested in carrying it forward risk being accused of playing &#8220;torch songs on dead batteries,&#8221; as David Thomson unfairly wrote about Chet Baker.<\/p>\n<p>The dead-battery-torch-song theory has only one flaw: It isn&#8217;t true. AbEx&#8217;s powerful progeny are everywhere, doing their bit for overall fields and the pleasures of push\/pull, but the ones who rise to prominence refer to their family tree at their peril. <\/p>\n<p>Here are a few:<\/p>\n<p><a href=\"http:\/\/solwayjonesgallery.com\/artistArtwork.php?index=691\">Joan Snyder<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"joansnydertree.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/joansnydertree.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"315\" width=\"450\" \/><a href=\"http:\/\/www.pbs.org\/art21\/artists\/rothenberg\/index.html\">Susan Rothenberg<\/a> (Image <a href=\"http:\/\/images.google.com\/imgres?imgurl=http:\/\/farm4.static.flickr.com\/3296\/2602031428_425f30bb0c_o.jpg&amp;imgrefurl=http:\/\/mooonriver.blogspot.com\/2008_06_01_archive.html&amp;usg=__bwTwNolUADjNHRKFfc4FyKf_MiM=&amp;h=496&amp;w=625&amp;sz=95&amp;hl=en&amp;start=13&amp;sig2=GR8paxcgoiwD7rc-ExdzCw&amp;um=1&amp;tbnid=MDDjP8SgWodMKM:&amp;tbnh=108&amp;tbnw=136&amp;prev=\/images%3Fq%3Dsusan%2Brothenberg%26hl%3Den%26client%3Dfirefox-a%26rlz%3D1R1GGGL_en___US344%26sa%3DX%26um%3D1&amp;ei=DY5BS_SCOcSRnAelu7CtBw\">via<\/a>)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"SusanRothenghstrug.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/SusanRothenghstrug.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"376\" width=\"475\" \/><a href=\"http:\/\/www.sedersgallery.com\/Artists\/004\/JonesRESf.html\">Robert C. Jones<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"robertcjonesblue.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/robertcjonesblue.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"541\" width=\"476\" \/><a href=\"http:\/\/www.sedersgallery.com\/Artists\/075\/75-000.html\">Lauri Chambers<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"laurichambersapex.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/laurichambersapex.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"475\" width=\"471\" \/><\/p>\n<p><a href=\"http:\/\/www.gregkucera.com\/mason.htm\">Alden Mason<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"aldenmasongoldburp.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/aldenmasongoldburp.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"395\" width=\"480\" \/><a href=\"http:\/\/www.sedersgallery.com\/Artists\/094\/HurleyRESf.htm\">Denzil Hurley<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"denzilHurleyorang.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/denzilHurleyorang.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"558\" width=\"464\" \/><a href=\"http:\/\/www.sedersgallery.com\/Artists\/110\/110-000.htm\">Jacqueline Barnett<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"jacquelinebarnettblu.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/jacquelinebarnettblu.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"338\" width=\"458\" \/><a href=\"http:\/\/www.jema.us\/pages\/mtm_pages\/mtm_state.html\">Mark Takamichi Miller<\/a> (At <a href=\"http:\/\/www.howardhouse.net\/artists\/index.html\">Howard House<\/a>)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"marktmillerredman.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/marktmillerredman.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"413\" width=\"461\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A quick way to kill interest in a contemporary painting is to call it Abstract Expressionist, even neo-AbEx or in the tradition. As a tradition, it played itself out more than half a century ago. From dominant it fell to irretrievably historical, rooted in post-World War II New York with variants in other places (Paris, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1422","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1422","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1422"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1422\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1422"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1422"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}