{"id":1397,"date":"2009-12-21T13:13:55","date_gmt":"2009-12-21T21:13:55","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/12\/your_photo_as_if_youre_dead\/"},"modified":"2009-12-21T13:13:55","modified_gmt":"2009-12-21T21:13:55","slug":"your_photo_as_if_youre_dead","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/12\/your_photo_as_if_youre_dead.html","title":{"rendered":"Your photo as if you&#8217;re dead"},"content":{"rendered":"<p><a href=\"http:\/\/www.daniel-carrillo.com\/blog\/\">Daniel Carrillo<\/a> is time-traveling Seattle artists into the past. Through a wet plate collodion process, he presents them as their own long-gone great-grandparents. <\/p>\n<p>Carrillo:<\/p>\n<blockquote><p>These are positives on glass plates also called Ambrotypes and they are 7 x 9 inches.  Collodion is poured onto a glass plate then sensitized in silver nitrate then exposed while the plate is still wet- hence the name.  When developed they have an antiquated, quirky, unpredictable, handmade quality to them that has made them irresistible and has, for me, brought the magic back of photography.<\/p>\n<\/blockquote>\n<p>Carrillo&#8217;s portrait of the otherwise animate <a href=\"http:\/\/www.smiller555.com\/\">Steven Miller<\/a>:<\/p>\n<blockquote><p><img loading=\"lazy\" decoding=\"async\" alt=\"danielcarrillostepmil.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/danielcarrillostepmil.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"506\" width=\"400\" \/><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Daniel Carrillo is time-traveling Seattle artists into the past. Through a wet plate collodion process, he presents them as their own long-gone great-grandparents. Carrillo: These are positives on glass plates also called Ambrotypes and they are 7 x 9 inches. Collodion is poured onto a glass plate then sensitized in silver nitrate then exposed while [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1397","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1397","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1397"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1397\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1397"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1397"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}