{"id":1383,"date":"2009-12-15T18:12:34","date_gmt":"2009-12-16T02:12:34","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/12\/blaming_the_artist_for_the_art\/"},"modified":"2009-12-15T18:12:34","modified_gmt":"2009-12-16T02:12:34","slug":"blaming_the_artist_for_the_art","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/12\/blaming_the_artist_for_the_art.html","title":{"rendered":"Blaming the artist for the art world"},"content":{"rendered":"<p><a href=\"http:\/\/www.newyorker.com\/search\/query?query=authorName:%22Peter%20Schjeldahl%22\">Peter Schjeldahl<\/a> knows his way around a sentence. His appear tossed off but take their place in the deep end of the pool. In spite of their brilliance, however, some drown there, sunk by writer&#8217;s contempt for his subject.<\/p>\n<p>I hope to see <a href=\"http:\/\/www.newmuseum.org\/exhibitions\/417\/urs_fischermarguerite_de_ponty\">Urs Fischer<\/a> at the New Museum but haven&#8217;t yet. Has Schjeldahl? He wrote his paragraph <a href=\"http:\/\/www.newyorker.com\/arts\/critics\/notebook\/2009\/12\/14\/091214gonb_GOAT_notebook_schjeldahl\">review<\/a> to bury Fischer, not consider him. It&#8217;s brilliant as writing but inert as criticism.<\/p>\n<blockquote><p>&#8220;Why must the show go on?&#8221; No\u00ebl Coward wondered. The question recurs apropos a desperately ingratiating Urs Fischer exhibition at the New Museum. Frail japes by the mildly talented Swiss-born sculptor&#8211;the international art world&#8217;s chief gadfly wit since Maurizio Cattelan faded in the role&#8211;are jacked up to epic, flauntingly expensive scale. There are huge aluminum casts of tiny clay lumps (you can tell by the giant thumbprints), walls and a ceiling papered with photographs of themselves, and big mirrored blocks that bear images of common objects. When a hole in a wall is approached, a realistic tongue sticks out of it. A faux cake is suspended in the air by hidden magnets. It&#8217;s all nicely diverting&#8211;but from what? If you spend more than twenty minutes with the three-floor extravaganza, you&#8217;re loitering. The New Museum could just as well not have done the show while saying it did. The effect would be roughly the same: expressing a practically reptilian institutional craving for a new art star.<\/p>\n<\/blockquote>\n<p>Schjeldahl could be a broker glancing at stock results &#8211; who&#8217;s up, who&#8217;s down &#8211; or an insult comic, his quips his weapon. Almost any artist can be made to seem ridiculous by describing the work in this kind of seen-one, seen-all tone. Schjeldahl&#8217;s real target is the <a href=\"http:\/\/www.newmuseum.org\/\">New Museum<\/a>. I love this phrase &#8211; &#8220;a practically reptilian institutional craving for a new art star&#8221; &#8211; but isn&#8217;t it possible that a suspect platform can still deliver a real thing?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Peter Schjeldahl knows his way around a sentence. His appear tossed off but take their place in the deep end of the pool. In spite of their brilliance, however, some drown there, sunk by writer&#8217;s contempt for his subject. I hope to see Urs Fischer at the New Museum but haven&#8217;t yet. Has Schjeldahl? He [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1383","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1383","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1383"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1383\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1383"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1383"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}