{"id":1369,"date":"2009-12-11T13:53:54","date_gmt":"2009-12-11T21:53:54","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/12\/teri_fullerton_-_bring_her_hus\/"},"modified":"2009-12-11T13:53:54","modified_gmt":"2009-12-11T21:53:54","slug":"teri_fullerton_-_bring_her_hus","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/12\/teri_fullerton_-_bring_her_hus.html","title":{"rendered":"Teri Fullerton &#8211; Bring her husband home"},"content":{"rendered":"<p>Young mother alone in the snow with her children pauses as snow leaks into her party shoes, head upturned, stop sign behind her. The image is a protest sign that pushes past the literal to lodge itself deeper into consciousness: Stop the wars.<\/p>\n<p><font face=\"Century Gothic\" size=\"2\"><span style=\"font-size: 10pt; font-family: &quot;Century Gothic&quot;;\"><i><span style=\"font-style: italic;\">Cotter, husband, army, <\/span><\/i>2009.<\/p>\n<p><\/span><\/font><img loading=\"lazy\" decoding=\"async\" alt=\"terifullertonsnow.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/terifullertonsnow.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"364\" width=\"456\" \/><font face=\"Century Gothic\" size=\"2\"><span style=\"font-size: 10pt; font-family: &quot;Century Gothic&quot;;\">Fullerton is part of a members exhibition at <a href=\"http:\/\/www.pcnw.org\/gallery\/schedule.php#show-13\">Photographic Center Northwest<\/a> curated by Western Bridge&#8217;s Eric Fredericksen, reception tonight, 6-9. <br \/><\/span><\/font><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Young mother alone in the snow with her children pauses as snow leaks into her party shoes, head upturned, stop sign behind her. The image is a protest sign that pushes past the literal to lodge itself deeper into consciousness: Stop the wars. Cotter, husband, army, 2009. Fullerton is part of a members exhibition at [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1369","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1369","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1369"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1369\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1369"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1369"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1369"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}