{"id":1363,"date":"2009-12-09T23:36:47","date_gmt":"2009-12-10T07:36:47","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/12\/in_gold_rush_charlie_chaplin\/"},"modified":"2009-12-09T23:36:47","modified_gmt":"2009-12-10T07:36:47","slug":"in_gold_rush_charlie_chaplin","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/12\/in_gold_rush_charlie_chaplin.html","title":{"rendered":"The art of eating badly"},"content":{"rendered":"<p>In <a href=\"http:\/\/www.youtube.com\/watch?v=mtZTIwSIuGw\"><i>Gold Rush<\/i><\/a>, Charlie Chaplin dined on the sole of a shoe. Not to be outdone, contemporary artists offer a range of similarly dubious treats. (We&#8217;re a long way from Dutch still lifes.)<\/p>\n<p><a href=\"http:\/\/www.seattlepi.com\/visualart\/143250_bernstein10.html\">Jesse Bernstein<\/a>: <\/p>\n<blockquote><p>I sneak a cream of wheat sandwich and stale sweet roll, wash it down with juice squeezed from a leather belt.<\/p><\/blockquote>\n<p>For the fast food crowd who can overlook an indictment as long as it comes with ketchup, there&#8217;s Jack Daws&#8217; memorial for the World Trade Center.<\/p>\n<p><a href=\"http:\/\/www.gregkucera.com\/daws_sculpture.htm\"><i>TWO TOWERS<\/i><\/a>, 2003<br \/>\nChromogenic print of artist-made construction from McDonald&#8217;s French fries and Heinz ketchup<br \/>\nphotographed by Richard Nichol<br \/>\n50 x 40 inches, Ed\/10<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"jackdawstwintower.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/jackdawstwintower.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"597\" width=\"400\" \/>For those whose culinary standards are a little higher, <a href=\"http:\/\/www.gregkucera.com\/webb.htm\">Dan Webb<\/a> provides a <a href=\"http:\/\/web.mac.com\/danwebb1\/danwebbart.com\/Portfolio.html#40\"><i>Feast<\/i><\/a>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"danwebbfeast.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/danwebbfeast.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"278\" width=\"484\" \/>For dessert, <a href=\"http:\/\/www.pdxcontemporaryart.com\/artwork\/piece-cake-3\">Greely Myatt<\/a> has the cake. (More on Myatt from Nicole Griffin on <a href=\"http:\/\/samblog.seattleartmuseum.org\/?p=239\"><i>SOAP<\/i><\/a>.)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"greelymyattcake.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/greelymyattcake.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"514\" width=\"277\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In Gold Rush, Charlie Chaplin dined on the sole of a shoe. Not to be outdone, contemporary artists offer a range of similarly dubious treats. (We&#8217;re a long way from Dutch still lifes.) Jesse Bernstein: I sneak a cream of wheat sandwich and stale sweet roll, wash it down with juice squeezed from a leather [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1363","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1363","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1363"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1363\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1363"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}