{"id":1355,"date":"2009-12-08T11:47:07","date_gmt":"2009-12-08T19:47:07","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/12\/the_transformation_of_waste\/"},"modified":"2009-12-08T11:47:07","modified_gmt":"2009-12-08T19:47:07","slug":"the_transformation_of_waste","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/12\/the_transformation_of_waste.html","title":{"rendered":"The transformation of waste"},"content":{"rendered":"<p><a href=\"http:\/\/www.youtube.com\/watch?v=HTDmBPb4L9w&amp;feature=player_embedded\">Patti Smith<\/a><\/p>\n<p>Art extends from order to chaos and generates waste as it transforms it.<\/p>\n<p><a href=\"http:\/\/www.sfmoma.org\/multimedia\/audio\/aop_tour_401\" target=\"_blank\">Hans Haacke&#8217;s <em>News<\/em><\/a> on November 5th, 2008, when <a href=\"http:\/\/www.sfmoma.org\/exhibitions\/306\" target=\"_blank\"><em>Art of Participation<\/em><\/a> opened at SFMOMA<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"hanshaackepapepool.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/hanshaackepapepool.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"759\" width=\"500\" \/>Christian Marclay, <a href=\"http:\/\/images.google.com\/imgres?imgurl=http:\/\/bp0.blogger.com\/_Tu1_tjOqppg\/R-QRqk0IheI\/AAAAAAAAAl4\/kPQ36bfpGps\/s320\/Christian%2BMarclay%2B-%2BTape%2BFall,%2B1989.jpg&amp;imgrefurl=http:\/\/waninator.blogspot.com\/2008\/03\/christian-marclay.html&amp;usg=__E07IeKBqesFd3GxFlmq7kLLEAiw=&amp;h=320&amp;w=224&amp;sz=100&amp;hl=en&amp;start=1&amp;sig2=aipn0CgP4Oqg2No-p-G0pA&amp;itbs=1&amp;tbnid=rAllkjw5YLSUFM:&amp;tbnh=118&amp;tbnw=83&amp;prev=\/images%3Fq%3Dchristian%2Bmarclay%2BTape%2BFall%26gbv%3D2%26hl%3Den&amp;ei=H6seS4CoE-arnAeI78nWDQ\"><i>Tape Fall<\/i><\/a>, 1989<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"ChristianMarclayTapeFall.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/ChristianMarclayTapeFall.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"320\" width=\"224\" \/><a href=\"http:\/\/www.jamesharrisgallery.com\/Artists\/Claude%20Zervas\/zervas.html\">Claude Zervas<\/a>, <i>Cumulus<\/i>, 2002<\/p>\n<div align=\"left\"><em><font size=\"1\"><br \/><\/font><\/em><font size=\"1\"><\/font><\/div>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"claudezervasadding.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/claudezervasadding.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"403\" width=\"492\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Patti Smith Art extends from order to chaos and generates waste as it transforms it. Hans Haacke&#8217;s News on November 5th, 2008, when Art of Participation opened at SFMOMA Christian Marclay, Tape Fall, 1989 Claude Zervas, Cumulus, 2002<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1355","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1355","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1355"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1355\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1355"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1355"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1355"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}