{"id":1304,"date":"2009-11-21T20:21:34","date_gmt":"2009-11-22T04:21:34","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/11\/warren_dykemans_bad_boy_boogal\/"},"modified":"2009-11-21T20:21:34","modified_gmt":"2009-11-22T04:21:34","slug":"warren_dykemans_bad_boy_boogal","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/11\/warren_dykemans_bad_boy_boogal.html","title":{"rendered":"Warren Dykeman&#8217;s bad boy boogaloo"},"content":{"rendered":"<p>The fluidity in <a href=\"http:\/\/www.warrendykeman.com\/\">Warren Dykeman<\/a>&#8216;s paintings does not come from his figures. They are stationary; the footwork belongs to the field. His paintings are about breath. Hanging in the colored air in front of men in hats and horses frozen mid-gallop, breath does not take the form of a comic-book thought bubble or speech. It is an exhale on the beat.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"warrendykebreath.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/warrendykebreath.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"502\" width=\"400\" \/><\/p>\n<p><!--more--><br \/>\n<img loading=\"lazy\" decoding=\"async\" alt=\"warrendykeloneride.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/warrendykeloneride.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"504\" width=\"350\" \/><img loading=\"lazy\" decoding=\"async\" alt=\"warrendykebigyellow.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/warrendykebigyellow.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"293\" width=\"473\" \/><img loading=\"lazy\" decoding=\"async\" alt=\"warrendykesuck.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/warrendykesuck.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"569\" width=\"387\" \/>Till Jan. 2 at <a href=\"http:\/\/www.greygalleryandlounge.com\/gallery\/\">Grey Gallery &amp; Lounge<\/a>. Although the show opened Nov. 12, it is not yet on the Web site. What managed to make its way online is Kristen Ramirez&#8217;s <i>Ghost of Commerce Past<\/i>, also on view. Review to follow.<\/p>\n<p>Grey Gallery is a leader in Seattle of what could be called<br \/>\nrecessionary pricing. In each show, there are suites of small paintings<br \/>\nor sculptures priced at less than $200, sometimes a lot less. It<br \/>\nwouldn&#8217;t be worth mentioning were it not for the artists involved,<br \/>\nalmost always stellar.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The fluidity in Warren Dykeman&#8216;s paintings does not come from his figures. They are stationary; the footwork belongs to the field. His paintings are about breath. Hanging in the colored air in front of men in hats and horses frozen mid-gallop, breath does not take the form of a comic-book thought bubble or speech. It [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1304","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1304","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1304"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1304\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1304"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1304"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}