{"id":1297,"date":"2009-11-19T20:06:43","date_gmt":"2009-11-20T04:06:43","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/11\/nicole_kenney_ks_rives_-_befor\/"},"modified":"2009-11-19T20:06:43","modified_gmt":"2009-11-20T04:06:43","slug":"nicole_kenney_ks_rives_-_befor","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/11\/nicole_kenney_ks_rives_-_befor.html","title":{"rendered":"Before I Die – Nicole Kenney & ks rives"},"content":{"rendered":"

Kenny and rives travel to ask a single question: What do you want to do before you die? They ask participants to write the answers on a Polaroid portrait, which they post on their Web site<\/a>. (via<\/a>)<\/p>\n

\"beforeidiedad.jpg\"\"beforeidiedog.jpg\" <\/p>\n

\"beforeidiehate.jpg\"<\/div>\n
This project and plenty like it owe a lot to Gilliam Wearing, and before her, to Jim Goldberg, neither of whom tends to make it to the credit line. Their ideas have spread beyond them, influencing even those who’ve never heard of them.<\/p>\n

Gillian Wearing<\/a>, from Signs that say what you want them to say and not signs that say what someone else wants you to say<\/i>, 1992-93<\/p>\n

\"gillianwearingdesperat.jpg\"Jim Goldberg<\/a>, We are a very emotional and tight family<\/i>, 1979
<\/a>
\"jimgoldbergpolaroid.jpg\"Recently in Seattle at a reputable space I saw a video in which the voices didn’t match the subjects. Again, Gillian Wearing<\/a>. Her 10-16<\/i> was at the Henry Gallery<\/a> in 2003. Remember the only joke in Pulp Fiction<\/i>? Catch up<\/a>. <\/div>\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

Kenny and rives travel to ask a single question: What do you want to do before you die? They ask participants to write the answers on a Polaroid portrait, which they post on their Web site. (via) This project and plenty like it owe a lot to Gilliam Wearing, and before her, to Jim Goldberg, […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1297","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1297","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1297"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1297\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1297"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1297"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1297"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}