{"id":1290,"date":"2009-11-17T19:21:36","date_gmt":"2009-11-18T03:21:36","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/11\/the_singing_art_critic\/"},"modified":"2009-11-17T19:21:36","modified_gmt":"2009-11-18T03:21:36","slug":"the_singing_art_critic","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/11\/the_singing_art_critic.html","title":{"rendered":"The singing art critic"},"content":{"rendered":"<p>Before he became director of <a href=\"http:\/\/www.westernbridge.org\/\">Western Bridge<\/a>, Eric Fredericksen was an art critic.<\/p>\n<p>To wit, his review of <a href=\"http:\/\/www.gregkucera.com\/tennis.htm\">Whiting Tennis<\/a> in 2000:<\/p>\n<p><\/p>\n<blockquote><p>\nWHITING TENNIS&#8217; new work is dumb. Dumb as in dumb luck, dumb as in mute, dumb as in the best solution to a problem is the simplest one. In these forms, dumb is good. And in art, this kind of dumb is rare.<\/p>\n<p>Art is rarely free of gamesplaying, of a strategically marked-out position that the artist can work from, of some role that defines readings and defends the value of the work. Tennis&#8217; position for this show is dumbness. In his cogent, helpful artist&#8217;s statement (these two adjectives apply to almost no other artist&#8217;s statement) he writes that he&#8217;s &#8220;the kind of person who&#8217;s struck dumb by a child&#8217;s painting or a little canvas-board winter landscape with birds, and thought it odd that after 15 years or more of &#8216;painting&#8217; I&#8217;d never sat down and tried to make a &#8216;picture.&#8217; So I did, literally sit down and try.&#8221;(<a href=\"http:\/\/www.thestranger.com\/seattle\/dumb-luck\/Content?oid=4228\">more<\/a>)<\/p>\n<\/blockquote>\n<p>Before he was an art critic, he was a singer, as in, he sang in the shower. Years of singing in the suds led logically to karaoke, and karaoke left him with theories he plans to share Wednesday night at 7:30 at <a href=\"http:\/\/ontheboards.org\/index.php?page=special_events_detail&amp;perfID=267\">On The Boards<\/a>. Interview with Eric about his performance <a href=\"http:\/\/www.ontheboards.org\/blog\/?p=1453\">here<\/a>.<\/p>\n<blockquote><p><\/p><\/blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"ericfredericksen.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/ericfredericksen.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"268\" width=\"395\" \/><\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Before he became director of Western Bridge, Eric Fredericksen was an art critic. To wit, his review of Whiting Tennis in 2000: WHITING TENNIS&#8217; new work is dumb. Dumb as in dumb luck, dumb as in mute, dumb as in the best solution to a problem is the simplest one. In these forms, dumb is [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1290","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1290","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1290"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1290\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1290"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1290"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}