{"id":1259,"date":"2009-11-08T15:55:46","date_gmt":"2009-11-08T23:55:46","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/11\/the_tremble_series_bad_news_th\/"},"modified":"2009-11-08T15:55:46","modified_gmt":"2009-11-08T23:55:46","slug":"the_tremble_series_bad_news_th","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/11\/the_tremble_series_bad_news_th.html","title":{"rendered":"The Tremble Series: bad news that never ends"},"content":{"rendered":"<p><a href=\"http:\/\/www.rosamundfelsen.com\/sussman\/index.php\">Tamara Sussman<\/a> hit on a compelling metaphor for bad news that doesn&#8217;t end &#8211; the lost loved one, the missing limb, the wars, the warming, the crazy within. In photos and text, she documents a low-intensity earthquake that continues to vibrate, day in and out. <\/p>\n<p><em>Geraniums (from The Tremble Series).<\/em> 2007-09<br \/>\nChromogenic prints with vinyl text&nbsp;<br \/>\n20&nbsp;x&nbsp;30&#8243;&nbsp;<br \/>\nEdition, 5.<\/p>\n<blockquote><p>The earthquake started so modestly only the geologists noticed&#8230;. (<a href=\"http:\/\/www.rosamundfelsen.com\/view_work.php?show=162\">more<\/a>)<\/p>\n<\/blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"tamarasussmanquake.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/tamarasussmanquake.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"276\" width=\"415\" \/> <\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Tamara Sussman hit on a compelling metaphor for bad news that doesn&#8217;t end &#8211; the lost loved one, the missing limb, the wars, the warming, the crazy within. In photos and text, she documents a low-intensity earthquake that continues to vibrate, day in and out. Geraniums (from The Tremble Series). 2007-09 Chromogenic prints with vinyl [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1259","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1259","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1259"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1259\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1259"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}