{"id":1243,"date":"2009-11-04T04:12:35","date_gmt":"2009-11-04T12:12:35","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/11\/from_walker_evans_to_roger_bal\/"},"modified":"2009-11-04T04:12:35","modified_gmt":"2009-11-04T12:12:35","slug":"from_walker_evans_to_roger_bal","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/11\/from_walker_evans_to_roger_bal.html","title":{"rendered":"From Walker Evans to Roger Ballen"},"content":{"rendered":"<p><b><i><font color=\"#800080\" size=\"+1\">&#8220;What I<br \/>\nbelieve is really good in the so-called documentary approach to<br \/>\nphotography is the addition of lyricism&#8230;.[this quality] is<br \/>\nusually produced unconsciously and even unintentionally and accidentally<br \/>\nby the cameraman.&#8221;<\/font><\/i><\/b><\/p>\n<p align=\"right\"><b><font color=\"#990000\" size=\"+1\">-Walker Evans,<br \/>\nlecture, Yale University, 1964<\/font><\/b><\/p>\n<p><a href=\"http:\/\/images.google.com\/imgres?imgurl=http:\/\/www.thecityreview.com\/wevans1.gif&amp;imgrefurl=http:\/\/www.thecityreview.com\/wevans.htm&amp;usg=__5xNPEdyLPRAzw2sEATxjnj4mXms=&amp;h=367&amp;w=468&amp;sz=198&amp;hl=en&amp;start=14&amp;sig2=FF64I8CNprQHX4OX2CIFRA&amp;um=1&amp;tbnid=QBiInfRKcdFMHM:&amp;tbnh=100&amp;tbnw=128&amp;prev=\/images%3Fq%3Dwalker%2Bevans%2BNow%2BLet%2BUs%2BPraise%2BFamous%2BMen%26hl%3Den%26client%3Dfirefox-a%26rlz%3D1R1GGGL_en___US344%26sa%3DG%26um%3D1&amp;ei=PW_xSu6XMJPcswOPtpH4AQ\">Via<\/a><\/p>\n<p>Walker Evans, from <a href=\"http:\/\/www.ralphmag.org\/AU\/famous-men.html\"><i>Now Let Us Praise Famous Men<\/i><\/a>, 1941<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"walkerevanspraisewal.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/walkerevanspraisewal.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"366\" width=\"462\" \/><a href=\"http:\/\/www.rogerballen.com\/\">Roger Ballen<\/a>, <i>Encroachment<\/i>, 2001<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"rogerballenwall.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/rogerballenwall.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"440\" width=\"454\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;What I believe is really good in the so-called documentary approach to photography is the addition of lyricism&#8230;.[this quality] is usually produced unconsciously and even unintentionally and accidentally by the cameraman.&#8221; -Walker Evans, lecture, Yale University, 1964 Via Walker Evans, from Now Let Us Praise Famous Men, 1941 Roger Ballen, Encroachment, 2001<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1243","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1243","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1243"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1243\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1243"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1243"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1243"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}