{"id":1217,"date":"2009-10-28T01:02:35","date_gmt":"2009-10-28T08:02:35","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/10\/leda_now_still_with_swan\/"},"modified":"2009-10-28T01:02:35","modified_gmt":"2009-10-28T08:02:35","slug":"leda_now_still_with_swan","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/10\/leda_now_still_with_swan.html","title":{"rendered":"Leda now, still with swan"},"content":{"rendered":"<p>There are no facts to transcend in the tale of <i>Leda and the Swan<\/i>. There is only a sea of sliding signifiers. They touch without landing on power, sexual hunger, fertility, violation and cunning. With such a range of meanings in play, why did artists so long lean on the soft porn angle? Beginning in the 20th century, they were less inclined to do so. <\/p>\n<p><a href=\"http:\/\/images.google.com\/imgres?imgurl=http:\/\/www.askart.com\/AskART\/photos\/TOO982002\/759.jpg&amp;imgrefurl=http:\/\/www.askart.com\/askart\/h\/frank_v_hoffman\/frank_v_hoffman.aspx&amp;usg=__NMrprutjJ4PPH6qHwZmhyJXtlC4=&amp;h=397&amp;w=400&amp;sz=24&amp;hl=en&amp;start=307&amp;sig2=Pb5xLudQBcdMkzRXTI96wA&amp;tbnid=5vmZELwrhLNGcM:&amp;tbnh=123&amp;tbnw=124&amp;prev=\/images%3Fq%3Dleda%2Band%2Bswan%26gbv%3D2%26ndsp%3D20%26hl%3Den%26sa%3DN%26start%3D300&amp;ei=FWbhSq6jMZDisQPI0pnODA\">Frank V. Hoffman<\/a> in Chicago envisioned a dance, both parties flaunting their power, image undated but probably from the 1930s.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"frankvhoffmanleda.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/frankvhoffmanleda.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"388\" width=\"398\" \/><\/p>\n<p><!--more--><br \/>\n<a href=\"http:\/\/images.google.com\/imgres?imgurl=http:\/\/www.btinternet.com\/%7Ecomme6\/prince2_files\/leda_and_the_swan_1963.jpg&amp;imgrefurl=http:\/\/www.btinternet.com\/%7Ecomme6\/twombly_gallery1.htm&amp;usg=__gKSxGmdfu_cjGtIyOFhGQk7sdhk=&amp;h=689&amp;w=550&amp;sz=107&amp;hl=en&amp;start=327&amp;sig2=0fDnJA1je3fn9YZam1Ch4A&amp;tbnid=BKslDQZKlcKzLM:&amp;tbnh=139&amp;tbnw=111&amp;prev=\/images%3Fq%3Dleda%2Band%2Bswan%26gbv%3D2%26ndsp%3D20%26hl%3Den%26sa%3DN%26start%3D320&amp;ei=qWbhStmNBpDisQPI0pnODA\">Cy Twombly<\/a> found the root of generative force in his <i>Leda<\/i>, from 1961.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"cytwomblyleda.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/cytwomblyleda.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"370\" width=\"390\" \/>More abstraction: <a href=\"http:\/\/images.google.com\/imgres?imgurl=http:\/\/www.monroehodder.com\/paintings\/home\/leda-meets-the-swan.jpg&amp;imgrefurl=http:\/\/www.monroehodder.com\/&amp;usg=__sEhF6129G9CWd1NONLGtZ5_4_oY=&amp;h=438&amp;w=382&amp;sz=109&amp;hl=en&amp;start=181&amp;sig2=QfLiNpReClJSci4tIvCBlg&amp;tbnid=LVj6wQLqx0sTOM:&amp;tbnh=127&amp;tbnw=111&amp;prev=\/images%3Fq%3Dleda%2Band%2Bswan%26gbv%3D2%26ndsp%3D20%26hl%3Den%26sa%3DN%26start%3D180&amp;ei=XmXhSsqzCZzStQPbtPVz\">Monroe Hodder<\/a>, <i>Leda&nbsp; Meets the Swan and Likes Him<\/i>, 2009<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"monroehodderleda.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/monroehodderleda.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"438\" width=\"382\" \/>Satire works. <a href=\"http:\/\/images.google.com\/imgres?imgurl=http:\/\/www.andytitcomb.com\/teapot_archives\/leda_swan.JPG&amp;imgrefurl=http:\/\/www.andytitcomb.com\/teapot_archives\/archives4.htm&amp;usg=__drIZe2RYe3Z-Zavc3EnINWwALsA=&amp;h=497&amp;w=400&amp;sz=44&amp;hl=en&amp;start=356&amp;sig2=P7jWG1znE5m7E0xV1wkvHg&amp;tbnid=g5-2jlWlF852eM:&amp;tbnh=130&amp;tbnw=105&amp;prev=\/images%3Fq%3Dleda%2Band%2Bswan%26gbv%3D2%26ndsp%3D20%26hl%3Den%26sa%3DN%26start%3D340&amp;ei=52bhSsSvJ4batAPvt4nODA\">Andy Titcomb<\/a> in the 1990s, designed by Tim Mitchinson.&nbsp; <\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"andytitcombleda.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/andytitcombleda.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"434\" width=\"350\" \/><a href=\"http:\/\/images.google.com\/imgres?imgurl=http:\/\/www.bobkessel.com\/wp-content\/uploads\/2009\/05\/leda-bob-kessel-410.jpg&amp;imgrefurl=http:\/\/www.bobkessel.com\/tag\/art-history\/&amp;usg=__2ycXaQ_x-l_TfeOX1ZbKW-WbV0o=&amp;h=410&amp;w=410&amp;sz=56&amp;hl=en&amp;start=310&amp;sig2=EE0w-byfNP9GAyR6RYCh3A&amp;tbnid=uN-F0jddgYKK0M:&amp;tbnh=125&amp;tbnw=125&amp;prev=\/images%3Fq%3Dleda%2Band%2Bswan%26gbv%3D2%26ndsp%3D20%26hl%3Den%26sa%3DN%26start%3D300&amp;ei=FWbhSq6jMZDisQPI0pnODA\">Bob Kessel<\/a> gave Art Deco a militaristic edge, from 2009.<br \/><img loading=\"lazy\" decoding=\"async\" alt=\"bobkesselleda.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/bobkesselleda.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"363\" width=\"369\" \/><a href=\"http:\/\/images.google.com\/imgres?imgurl=http:\/\/www.artequity.com.au\/Utilities\/CreateThumb.aspx%3Fsize%3D400%26file%3DArtworks\/IMG_81682.JPG&amp;imgrefurl=http:\/\/www.artequity.com.au\/ArtistDetails.aspx%3Fartist%3D28&amp;usg=__6d0QOfN7fz3bZunQ0QdeLWUDKUc=&amp;h=260&amp;w=350&amp;sz=52&amp;hl=en&amp;start=655&amp;sig2=2hGWwc_O-i11d5hIQ8fJaA&amp;tbnid=IDFjM3fb5D_R5M:&amp;tbnh=89&amp;tbnw=120&amp;prev=\/images%3Fq%3Dleda%2Band%2Bswan%26gbv%3D2%26ndsp%3D20%26hl%3Den%26sa%3DN%26start%3D640&amp;ei=gWjhSp6hDJfatAO9u4jODA\">Sidney Nolan<\/a>&#8216;s encounter between the celebrated pair looks like an intellectual salon, undated.<br \/><img loading=\"lazy\" decoding=\"async\" alt=\"sidneynolanleda.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/sidneynolanleda.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"260\" width=\"350\" \/><a href=\"http:\/\/www.sedersgallery.com\/Artists\/028\/28_Spafford.htm\">Michael Spafford<\/a> painted not erotica but tragedy, 1997 and 1996.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"michaelspaffordleda.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/michaelspaffordleda.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"140\" width=\"432\" \/><img loading=\"lazy\" decoding=\"async\" alt=\"michaelspaffordleda2.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/michaelspaffordleda2.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"432\" width=\"318\" \/>Both girl and god are broken and dead in <a href=\"http:\/\/images.google.com\/imgres?imgurl=http:\/\/artsouthafrica.com\/media\/leda_and_swan-l.jpg&amp;imgrefurl=http:\/\/www.artsouthafrica.com\/%3Farticle%3D454&amp;usg=__HZWvlEDO9gEvwF0QpwqHOMWumJg=&amp;h=489&amp;w=480&amp;sz=68&amp;hl=en&amp;start=41&amp;sig2=KrHE2GlNQ0kI_MYcWXg6yg&amp;tbnid=q2UTaxfjz9dhOM:&amp;tbnh=130&amp;tbnw=128&amp;prev=\/images%3Fq%3Dleda%2Band%2Bswan%26gbv%3D2%26ndsp%3D20%26hl%3Den%26sa%3DN%26start%3D40&amp;ei=GWThSvOoEIT4tAOQ5YnODA\">Wim Botha<\/a>&#8216;s sculpture from <span class=\"imgLrgLeft\">2005, made of bonemeal, marble and epoxy resin suspended from the ceiling by bright orange straps. Only shadows comingle.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"wimbothaleda.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/wimbothaleda.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"382\" width=\"372\" \/><a href=\"http:\/\/amysteinphoto.blogspot.com\/2009\/05\/leda-and-swan.html\">Amy Stein<\/a> is one of the few woman to essay the theme. In her photo, the threat is gone, but uneasiness lingers in the potential victim.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"amysteinleda.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/amysteinleda.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"445\" width=\"350\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>There are no facts to transcend in the tale of Leda and the Swan. There is only a sea of sliding signifiers. They touch without landing on power, sexual hunger, fertility, violation and cunning. With such a range of meanings in play, why did artists so long lean on the soft porn angle? Beginning in [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1217","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1217","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1217"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1217\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1217"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1217"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}