{"id":1203,"date":"2009-10-24T17:32:57","date_gmt":"2009-10-25T00:32:57","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/10\/russ_sawyers_homemade_wastelan\/"},"modified":"2009-10-24T17:32:57","modified_gmt":"2009-10-25T00:32:57","slug":"russ_sawyers_homemade_wastelan","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/10\/russ_sawyers_homemade_wastelan.html","title":{"rendered":"Ross Sawyers&#8217; homemade wasteland"},"content":{"rendered":"<p>Like <a href=\"http:\/\/www.303gallery.com\/artists\/thomas_demand\/index.php?exh_id=57\">Thomas Demand<\/a>,&nbsp; <a href=\"http:\/\/www.mocp.org\/collections\/permanent\/boberg_oliver.php\">Oliver Boberg<\/a>, <a href=\"http:\/\/jamescasebere.net\/\">James Casebere<\/a> and <a href=\"http:\/\/www.lorinix.net\/inside.php3?kateg=21\">Lori Nix<\/a>,<br \/>\nRoss <strike>Sawyer<\/strike> Sawyers constructs models that he photographs as full-scale environments. <\/p>\n<p>Demand&#8217;s are meticulous and devoid of oxygen. Boberg&#8217;s explore the homey banality of the ordinary. Casebere&#8217;s focuses on the ornate, often after a flood, and Nix&#8217;s are fantastical. Each manages to make worlds from doll-house stage sets.<\/p>\n<p>Sawyers&#8217; are constructed to look as if they are still under construction, and photographed as if they are melodies orchestrated with light. <\/p>\n<p>Wrote <a href=\"http:\/\/www.andrewkozlowski.com\/\">Andrew Kozlowski<\/a> in <a href=\"http:\/\/www.artpapers.org\/editorial\/\"><i>Art Papers<\/i><\/a>, September\/October, 2009: <\/p>\n<blockquote><p>These spaces recall unfinished housing developments and luxury condo projects abandoned by unscrupulous investors, ready to fall down at any moment.<\/p>\n<\/blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"russsawyerbluwall.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/russsawyerbluwall.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"495\" width=\"398\" \/><br \/>In the untitled photo above, the floor becomes liquid at it meets the white scrim, which extends to a rectangle that appears to be three-dimensional at the top and flat at the bottom. A full moon casts its reflection on the blue water, bringing to mind the seascapes <a href=\"http:\/\/images.artnet.com\/artwork_images_169838_472880_arthur-dove.jpg\">Arthur Dove<\/a>.<\/p>\n<blockquote><p><\/p><\/blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"russsawyerdustpile.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/russsawyerdustpile.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"364\" width=\"493\" \/>More toying with art history. Above, James Turrell meets <a href=\"http:\/\/images.google.com\/images?hl=en&amp;client=firefox-a&amp;rlz=1R1GGGL_en___US344&amp;hs=7oC&amp;q=wolfgang+laib&amp;um=1&amp;ie=UTF-8&amp;ei=P6fjSv6wKZH8sgPDorysAw&amp;sa=X&amp;oi=image_result_group&amp;ct=title&amp;resnum=1&amp;ved=0CBMQsAQwAA\">Wolfgang Laib<\/a> meets Rothko.<\/p>\n<blockquote><p><\/p><\/blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"russsawyerblownbw.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/russsawyerblownbw.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"398\" width=\"488\" \/>Above, light wrapped and ready with nowhere to go.<\/p>\n<p>At <a href=\"http:\/\/www.platformgallery.com\/current.html\">Platform Gallery<\/a> through Nov. 28.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Like Thomas Demand,&nbsp; Oliver Boberg, James Casebere and Lori Nix, Ross Sawyer Sawyers constructs models that he photographs as full-scale environments. Demand&#8217;s are meticulous and devoid of oxygen. Boberg&#8217;s explore the homey banality of the ordinary. Casebere&#8217;s focuses on the ornate, often after a flood, and Nix&#8217;s are fantastical. Each manages to make worlds from [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1203","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1203","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1203"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1203\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1203"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1203"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}