{"id":1201,"date":"2009-10-23T11:38:11","date_gmt":"2009-10-23T18:38:11","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/10\/links_-_are_artists_required_t\/"},"modified":"2009-10-23T11:38:11","modified_gmt":"2009-10-23T18:38:11","slug":"links_-_are_artists_required_t","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/10\/links_-_are_artists_required_t.html","title":{"rendered":"Links &#8211; Are artists required to do everything?"},"content":{"rendered":"<p><b>From Michael Buitron of <i>Leap Into The Void<\/i>:<\/b><\/p>\n<blockquote><p>In my mid-residency review for my master&#8217;s at CalArts, I told <a href=\"http:\/\/www.artsjournal.com\/anotherbb\/2009\/10\/sam-durant-in-the-old-weird-am.html\">Sam Durant<\/a> that the things I was being evaluated on and expected to do for my mid-res show&#8211;make objects, install them in an aesthetically appropriate fashion, light the work, advertise it, talk about it, write about it, invite faculty, cater an opening reception&#8211;all amounted to CalArts being a finishing school to the social graces and conventions of the art world. &#8220;I would hope so,&#8221; was his response, &#8220;We don&#8217;t want you to leave here without those skills.&#8221;<\/p>\n<\/blockquote>\n<p>He&#8217;d prefer not to. (<a href=\"http:\/\/imoralist.blogspot.com\/search?updated-max=2009-10-05T09%3A00%3A00-07%3A00&amp;max-results=1\">more<\/a>)<\/p>\n<p><b>From Susanna Bluhm of <i>Getting To Know You Better<\/i>:<\/b><\/p>\n<blockquote><p>I would love to go on some kind of massive research expedition to explore this very question. I want to know details about how other artists are making ends meet and making things work. I don&#8217;t know if it&#8217;s for commiseration or inspiration, or purely because no one ever talks about it. It was an unmentionable even in my grad school program, this &#8220;how to survive&#8221; issue. Is it because you don&#8217;t? Or at least not by doing art?  I&#8217;ve heard &#8220;There&#8217;s always teaching,&#8221; but really there isn&#8217;t. Teaching art at the college level is extremely competitive, and in order to get a stable teaching job, MFA graduates must first be willing to (typically) move anywhere in the country to adjunct part-time at near-poverty wages. (<a href=\"http:\/\/gettingtoknowyoubetter.wordpress.com\/2009\/09\/15\/how-do-artists-live\/\">more<\/a>)<br \/><b><br \/><\/b><\/p><\/blockquote>\n<p><b>How to get covered by a daily newspaper:<\/b> <\/p>\n<p>Step one. Create a blog. Step two. Without taking off your pajamas, announce a contest for cities with your results. The smartest. The sexiest. The greenest. The most fat. Publish your top ten and send a link to your targets.&nbsp; Newspapers fall for it. The most desperate put you on the front page. In the&nbsp; rush to get your survey into print, mistakes are made. <\/p>\n<p>From <a href=\"http:\/\/failblog.org\/\"><i>Fail Blog<\/i><\/a>:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"denverfail.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/denverfail.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"336\" width=\"454\" \/><br \/><b>Good news after the fire<\/b>: Less damage to Helio&nbsp; Oiticia&#8217;s life&#8217;s work than first reported. <\/p>\n<p>From <i>Greg.org<\/i>: <\/p>\n<blockquote><p>Note to self, the Brazilian media &amp; world&#8217;s wire services: the guy standing outside his burning house and saying he lost everything does not, in fact, know that everything is lost.<br \/>(<a href=\"http:\/\/greg.org\/archive\/2009\/10\/20\/first_the_good_news_helio_oiticica_heirs_say_not_everything_burned_after_all.html\">more<\/a>)<\/p>\n<\/blockquote>\n<p><b>Gay kiss-in<\/b> from <i>O My God Seattle<\/i> <a href=\"http:\/\/ohmygodseattle.blogspot.com\/2009\/09\/gay-kiss-in-staged-at-parisian-shopping.html\">here<\/a>. I love flash mob art, so evocative of earlier models.<\/p>\n<p><a href=\"http:\/\/images.google.com\/images?hl=en&amp;rlz=1B3GGGL_enUS283US285&amp;q=brancusi&amp;um=1&amp;ie=UTF-8&amp;ei=QgPiSpz5Ao-msgPaivS2Aw&amp;sa=X&amp;oi=image_result_group&amp;ct=title&amp;resnum=1&amp;ved=0CBYQsAQwAA\">Brancusi<\/a>:<br \/><img loading=\"lazy\" decoding=\"async\" alt=\"brancusikiss.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/brancusikiss.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"460\" width=\"416\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From Michael Buitron of Leap Into The Void: In my mid-residency review for my master&#8217;s at CalArts, I told Sam Durant that the things I was being evaluated on and expected to do for my mid-res show&#8211;make objects, install them in an aesthetically appropriate fashion, light the work, advertise it, talk about it, write about [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1201","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1201"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1201\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}