{"id":1182,"date":"2009-10-15T21:17:07","date_gmt":"2009-10-16T04:17:07","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/10\/shadows_in_art_-_part_3_of_3\/"},"modified":"2009-10-15T21:17:07","modified_gmt":"2009-10-16T04:17:07","slug":"shadows_in_art_-_part_3_of_3","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/10\/shadows_in_art_-_part_3_of_3.html","title":{"rendered":"Shadows in art – part 3 of 3"},"content":{"rendered":"

In their extended synthetic panoramas, Scott McFarland and Paul Berger tend to shrink shadows or misdirect them. They look like raisins added to cookie dough at the last minute.<\/p>\n

McFarland<\/a>:<\/p>\n

<\/span>\"ScottMcFarlandshad.jpg\"Berger<\/a>: <\/p>\n

\"paulbergershad.jpg\"Mary Temple<\/a>: Her trees
\npainted in latex on walls and stain on floors suggest a fragility they
\nhave transcended. They will not dissolve when the sun goes down or lose
\ntheir form in a larger dark.<\/p>\n

\"marytempleshad.jpg\"Pat De Caro<\/a> – When it really is too late to have a happy childhood.<\/p>\n

\"patdecaroshad.jpg\"Roger Shimomura<\/a>: When Japanese Americans were shadows to their fellow citizens.<\/p>\n

\"rogershimomurashad.jpg\"Susie J. Lee<\/a> – Fugue State<\/i><\/p>\n

\"susiejleeshad.jpg\"Tannaz Farsi<\/a>– A reflection is a shadow that repeats everything it sees.<\/p>\n

\"TannazFarsishad.jpg\"Tomiko Jones<\/a><\/p>\n

\"tomikojonesshad.jpg\"Eden Veaudry<\/a><\/p>\n

\"edenveaudryshad.jpg\"Ross Sawyers,at Platform Gallery<\/a> Through Nov. 29.<\/p>\n

\"rosssawyersshad.jpg\"Stephanie Syjuco<\/a> – A blackout as a bird of prey.<\/p>\n

\"stephaniesyjucosh.jpg\"Mark Takamichi Miller<\/a> – They may be bloated apparitions, but they still dress up.<\/p>\n

\"marktmillershad.jpg\"Joey Veltkamp<\/a> – 1977<\/i>. Their last good kiss was years ago. (Image via<\/a>)<\/p>\n

\"joeyveltkampshad.jpg\"<\/p>\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

In their extended synthetic panoramas, Scott McFarland and Paul Berger tend to shrink shadows or misdirect them. They look like raisins added to cookie dough at the last minute. McFarland: Berger: Mary Temple: Her trees painted in latex on walls and stain on floors suggest a fragility they have transcended. They will not dissolve when […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1182","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1182","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1182"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1182\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1182"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1182"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}