{"id":1180,"date":"2009-10-14T21:03:52","date_gmt":"2009-10-15T04:03:52","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/10\/shadows_in_art_-_part_2_of_3\/"},"modified":"2009-10-14T21:03:52","modified_gmt":"2009-10-15T04:03:52","slug":"shadows_in_art_-_part_2_of_3","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/10\/shadows_in_art_-_part_2_of_3.html","title":{"rendered":"Shadows in art &#8211; part 2 of 3"},"content":{"rendered":"<p><a href=\"http:\/\/www.jorgemacchi.com\/eng\/obra29.htm\">Jorge Macchi<\/a> &#8211; shadow as the end of the road.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"jorgemacchishad.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/jorgemacchishad.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"490\" width=\"490\" \/><a href=\"http:\/\/www.gregkucera.com\/fitch.htm\">Claudia Fitch<\/a>: A parenthesis primed to delete its internal aside.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"claudiafitchshad.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/claudiafitchshad.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"241\" width=\"422\" \/><a href=\"http:\/\/www.jamesharrisgallery.com\/Artists\/Glenn%20Rudloph\/Rudolph.htm\">Glenn Rudolph<\/a>: The solace of a gathering dark.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"glennrudolphgrbal.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/glennrudolphgrbal.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"450\" width=\"450\" \/> <strong><\/strong> <\/p>\n<div><a href=\"http:\/\/www.harrisonhiggs.com\/\">Harrison Higgs<\/a>: What you don&#8217;t know can never be retrieved.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"harrisonhiggssha.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/harrisonhiggssha.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"278\" width=\"420\" \/><a href=\"http:\/\/www.jamesharrisgallery.com\/Artists\/Patrick%20Holderfield\/holderfield.html\">Patrick Holderfield<\/a>: A landscape of negatives.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"patrickholderfieldsha.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/patrickholderfieldsha.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"337\" width=\"450\" \/><a href=\"http:\/\/www.ggibsongallery.com\/artists\/divola\/index.html\">John Divola<\/a>, from series, <i>Dog Chasing My Car In The Desert<\/i><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"JohnDivolashad.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/JohnDivolashad.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"275\" width=\"400\" \/><a href=\"http:\/\/howardhouse.net\/artists\/ganz\/HH04091.html\">Karen Ganz<\/a> &#8211; There&#8217;s nothing quite as noir as a girl with a gun, especially if she&#8217;s a shadow.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"karenganzshad.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/karenganzshad.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"336\" width=\"496\" \/><a href=\"http:\/\/www.sedersgallery.com\/Artists\/004\/JonesRESf.html\">Robert C. Jones<\/a> &#8211; Black holds the blooms in place.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"robertjonesshad.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/robertjonesshad.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"522\" width=\"489\" \/><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Jorge Macchi &#8211; shadow as the end of the road. Claudia Fitch: A parenthesis primed to delete its internal aside. Glenn Rudolph: The solace of a gathering dark. Harrison Higgs: What you don&#8217;t know can never be retrieved. Patrick Holderfield: A landscape of negatives. John Divola, from series, Dog Chasing My Car In The Desert [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1180","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1180","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1180"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1180\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1180"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1180"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1180"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}