{"id":1177,"date":"2009-10-14T00:47:08","date_gmt":"2009-10-14T07:47:08","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/10\/lead_pencil_-_the_light_in_the\/"},"modified":"2009-10-14T00:47:08","modified_gmt":"2009-10-14T07:47:08","slug":"lead_pencil_-_the_light_in_the","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/10\/lead_pencil_-_the_light_in_the.html","title":{"rendered":"Lead Pencil &#8211; the light in the window"},"content":{"rendered":"<p>In <a href=\"http:\/\/www.nga.gov\/fcgi-bin\/timage_f?object=41308.0&amp;oimage=0&amp;c=\">Fra Angelico and Fra Filippo Lippi<\/a><br \/>\n&#8216;s <i>The Adoration of the Magi<\/i>, 1440\/1460, light framed in an arch on the upper left serves to echo the light of the event, central to Christians.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"fraangelicolight.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/fraangelicolight.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"390\" width=\"401\" \/><i>The Annunciation<\/i>, 1898, by <a href=\"http:\/\/images.google.com\/imgres?imgurl=http:\/\/explorepahistory.com\/images\/ExplorePAHistory-a0b8s0-a_349.jpg&amp;imgrefurl=http:\/\/explorepahistory.com\/displayimage.php%3FimgId%3D1328&amp;usg=__FJsZkW5FBZcXis5HmR_xxxAgvwI=&amp;h=469&amp;w=576&amp;sz=228&amp;hl=en&amp;start=67&amp;sig2=1Bzku-xbjQmJRohx5934dg&amp;um=1&amp;tbnid=my5LfZlRf5U3lM:&amp;tbnh=109&amp;tbnw=134&amp;prev=\/images%3Fq%3Dthe%2Bannunciation%26ndsp%3D20%26hl%3Den%26client%3Dfirefox-a%26rlz%3D1R1GGGL_en___US344%26hs%3DJwy%26sa%3DN%26start%3D60%26um%3D1&amp;ei=joDVSovNCZ7ItAOS3o3dAg\">Henry Ossawa Tanner<\/a>, deals with the strangeness of the moment &#8211; an angel visiting a girl to announce her future &#8211; by turning the Angel Gabriel into a column of light.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"henrytannerlight.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/henrytannerlight.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"387\" width=\"476\" \/>In <a href=\"http:\/\/www.lawrimoreproject.com\/lp\/Artists\/Pages\/Lead_Pencil_Studio.html#1\">Lead Pencil<\/a>&#8216;s <i>Adoration Turning Yellow<\/i> from 2008, Gabriel is worse for wear. Not only is he no longer the light source, he&#8217;s making a mess.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"leadpencilannun.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/leadpencilannun.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"320\" width=\"422\" \/><\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>In Fra Angelico and Fra Filippo Lippi &#8216;s The Adoration of the Magi, 1440\/1460, light framed in an arch on the upper left serves to echo the light of the event, central to Christians. The Annunciation, 1898, by Henry Ossawa Tanner, deals with the strangeness of the moment &#8211; an angel visiting a girl to [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1177","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1177","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1177"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1177\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1177"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1177"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}