{"id":1171,"date":"2009-10-11T18:14:24","date_gmt":"2009-10-12T01:14:24","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/10\/the_visual_score_after_christi\/"},"modified":"2009-10-11T18:14:24","modified_gmt":"2009-10-12T01:14:24","slug":"the_visual_score_after_christi","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/10\/the_visual_score_after_christi.html","title":{"rendered":"The visual score, after Christian Marclay"},"content":{"rendered":"

Previous post, that ends with Marclay: The visual score, after Kandinsky<\/i><\/a><\/p>\n

Scores that are paintings, drawings and collages are everywhere in recent years. They function as art on their own but can, depending on the performer, inspire sound. <\/p>\n

We are all ears<\/a>.<\/p>\n

\"timhawkinsonears.jpg\"A few of my favorites:<\/p>\n

Paul Rucker<\/a>, Strange Fruit<\/i>, a score he plays on his cello:<\/p>\n

\"paulruchermusic.jpg\"Strange Fruit<\/i> is part of an exhibit at Cornish College called Live in the Hyphen<\/i><\/a>, with Rucker and Wynne Greenwood<\/a>, through Oct. 16. Greenwood talks in the gallery noon-1 on Oct. 16.<\/p>\n

Other scores:
<\/a><\/p>\n


\nJorge Macchi<\/a><\/p>\n

\"jorgemacchinoctur.jpg\"Jaq Chartier<\/a>:<\/p>\n

\"jaqchartiermusic.jpg\"Grant Barnhart<\/a>:<\/p>\n

\"grantbarnhartmus.jpg\"Susie J. Lee<\/a> Consummation<\/i> Single-channel projected video on hand carved wood
\n14 x 62 x 7 inches (Play here<\/a>)<\/p>\n

\"susiejleemusic.jpg\"Margie Livingston<\/a><\/p>\n

\"MargieLivingstonmus.jpg\"Carrie Bodle\/Margie Livingston, score-like Sound Installation<\/i><\/a>:<\/p>\n

\"margielivingcarrie.jpg\"Carolyn Krieg<\/a>, each figure a reverberation around the silence in the center:<\/p>\n

\"carolynkriegmus.jpg\"
Jesse Paul Miller<\/a>– musical score as reverberations at sea, and muscial score as a record<\/p>\n

\"jessepaulmillersea.jpg\"\"jessepaulmillerrec.jpg\"<\/p>\n

\"jessepaulmillerrec2.jpg\"<\/div>\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Previous post, that ends with Marclay: The visual score, after Kandinsky Scores that are paintings, drawings and collages are everywhere in recent years. They function as art on their own but can, depending on the performer, inspire sound. We are all ears. A few of my favorites: Paul Rucker, Strange Fruit, a score he plays […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1171","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1171","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1171"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1171\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1171"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1171"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1171"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}