{"id":1168,"date":"2009-10-10T10:07:03","date_gmt":"2009-10-10T17:07:03","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/10\/the_visual_score_after_kandins\/"},"modified":"2009-10-10T10:07:03","modified_gmt":"2009-10-10T17:07:03","slug":"the_visual_score_after_kandins","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/10\/the_visual_score_after_kandins.html","title":{"rendered":"The visual score, after Kandinsky"},"content":{"rendered":"<p>&nbsp;If you start <a href=\"http:\/\/c-monster.net\/blog1\/tag\/vasily-kandinsky\/\">here<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"kandinskymusic.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/kandinskymusic.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"392\" width=\"483\" \/>or <a href=\"http:\/\/images.google.com\/imgres?imgurl=http:\/\/simplyartonline.net\/PaulKlee.jpg&amp;imgrefurl=http:\/\/simplyartonline.net\/Abstract%2520Art%2520in%2520Germany%2520The%2520Bauhaus%2520School.htm&amp;usg=__ggf1h8VOcjojQemEPnan93L_Elo=&amp;h=600&amp;w=789&amp;sz=63&amp;hl=en&amp;start=28&amp;sig2=97a-3F1keU1bzQhVnbFppQ&amp;um=1&amp;tbnid=hPXQGJJzcDW3qM:&amp;tbnh=109&amp;tbnw=143&amp;prev=\/images%3Fq%3Dpaul%2Bklee%26ndsp%3D20%26hl%3Den%26client%3Dfirefox-a%26rlz%3D1R1GGGL_en___US344%26sa%3DN%26start%3D20%26um%3D1&amp;ei=zrzQSuuvEovasQPg_ZDwCw\">here<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"PaulKleemusic.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/PaulKleemusic.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"349\" width=\"459\" \/>you can stop <a href=\"http:\/\/images.google.com\/imgres?imgurl=http:\/\/greg.org\/archive\/john_cage_chess_pieces.jpg&amp;imgrefurl=http:\/\/greg.org\/archive\/2007\/09\/22\/john_cages_chess_pieces.html&amp;usg=__-NkFbWm-fdyM1uKQqRas0wMQXD0=&amp;h=468&amp;w=468&amp;sz=50&amp;hl=en&amp;start=14&amp;sig2=MfZE2YYYWwU1SZ4tnmmBVQ&amp;um=1&amp;tbnid=DHeZ79MdAOBHZM:&amp;tbnh=128&amp;tbnw=128&amp;prev=\/images%3Fq%3Djohn%2Bcage%26hl%3Den%26client%3Dfirefox-a%26rlz%3D1R1GGGL_en___US344%26sa%3DX%26um%3D1&amp;ei=osPQSpKcKYicswOQ0dnvCw\">here<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"johncagechess.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/johncagechess.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"463\" width=\"465\" \/>with a leapfrog to <a href=\"http:\/\/www.traileraddict.com\/trailer\/trimpin-the-sound-of-invention\/trailer\">Trimpin<\/a> and <a href=\"http:\/\/www.seattleartmuseum.org\/exhibit\/exhibitDetail.asp?WHEN=&amp;eventID=4444\">Christian Marclay<\/a> without missing much in between.<\/p>\n<p>Minus the mysticism, Trimpin and Marclay are as committed as Kandinsky to the visual implications of sound. While many of Kandinsky&#8217;s <a href=\"http:\/\/www.artchive.com\/artchive\/K\/kandinsky.html\">ideas<\/a> about spiritual color and visual sound found few takers in the second half of the 20th century, they are in play today.<\/p>\n<p><a href=\"http:\/\/images.google.com\/imgres?imgurl=http:\/\/www.henryart.org\/slide\/uploadimage\/210\/thumb\/Phffft_Rendering.jpg&amp;imgrefurl=http:\/\/www.henryart.org\/exhibitions\/past\/146\/2005&amp;usg=__mlsiU3Cb_y2BsMbJswWbW9FeKc0=&amp;h=50&amp;w=33&amp;sz=17&amp;hl=en&amp;start=38&amp;sig2=fPRF0l_6caKKPd4IQbJceg&amp;tbnid=dmik-klo5kt8sM:&amp;tbnh=50&amp;tbnw=33&amp;prev=\/images%3Fq%3Dtrimpin%2Bscore%26gbv%3D2%26ndsp%3D20%26hl%3Den%26sa%3DN%26start%3D20&amp;ei=SDnRSqqYC4rssQPfmtDvCw\">Trimpin<\/a>&#8211; <i>Score for PHFFFT<\/i><\/p>\n<blockquote><p><img loading=\"lazy\" decoding=\"async\" alt=\"TrimpinPhffft.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/TrimpinPhffft.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"219\" width=\"418\" \/>I remember as a child helping to build huge, wooden discs to set on<br \/>\nfire at night and roll off a ramp to hang in the air and fall into the<br \/>\nvalley below, as part of an old German festival. I heard the whistling<br \/>\nand crackling of the wet wood as it rolled down the ramp and thought of<br \/>\nopera. I asked the other boys, `Do you hear that?&#8217; They said no. I like<br \/>\nto think my work enables other people to hear what I hear.<\/p><\/blockquote>\n<p><a href=\"http:\/\/images.google.com\/imgres?imgurl=http:\/\/www.veronikaspierenburg.com\/artblog\/stimulus\/thumbnails\/Christian%2520Marclay_2.jpg&amp;imgrefurl=http:\/\/www.veronikaspierenburg.com\/artblog\/&amp;usg=__Rru9Pm3wLlgFsWfW_btwJcgaukg=&amp;h=386&amp;w=300&amp;sz=11&amp;hl=en&amp;start=19&amp;sig2=LVk9S3yEiDj1qHqZ6NAWnw&amp;tbnid=qZnTk3Ds7ezmCM:&amp;tbnh=123&amp;tbnw=96&amp;prev=\/images%3Fq%3DChristian%2BMarclay%26gbv%3D2%26hl%3Den%26sa%3DG&amp;ei=3j3RSsPdGp2UtgOPodXvCw\">Marclay<\/a><\/p>\n<blockquote><p><img loading=\"lazy\" decoding=\"async\" alt=\"christmarclaymus.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/christmarclaymus.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"396\" width=\"314\" \/><span style=\"font-family: Helvetica,Arial,sans-serif;\">I composed a<br \/>\nsilent collage of found film footage partially layered with computer<br \/>\ngraphics<br \/>\nto provide a framework in which live music can develop. Moving images<br \/>\nand<br \/>\ngraphics give musicians visual cues suggesting emotion, energy, rhythm,<br \/>\npitch,<br \/>\nvolume, and duration. <b>I believe in the power of images to evoke sound<\/b>.<em><\/em><\/span><\/p><\/blockquote>\n<blockquote><p><\/p><\/blockquote>\n<p>Image from Marclay&#8217;s<i> Screen Play<\/i><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"christmarclayredlineface.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/christmarclayredlineface.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"224\" width=\"300\" \/><\/p>\n<p>&nbsp;<object height=\"344\" width=\"425\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/wyjr44MM6J0&amp;hl=en&amp;fs=1&amp;\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed src=\"http:\/\/www.youtube.com\/v\/wyjr44MM6J0&amp;hl=en&amp;fs=1&amp;\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" height=\"344\" width=\"425\"><br \/><\/object><\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;If you start here or here you can stop here with a leapfrog to Trimpin and Christian Marclay without missing much in between. Minus the mysticism, Trimpin and Marclay are as committed as Kandinsky to the visual implications of sound. While many of Kandinsky&#8217;s ideas about spiritual color and visual sound found few takers in [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1168","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1168","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1168"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1168\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1168"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1168"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}