{"id":1162,"date":"2009-10-09T12:57:23","date_gmt":"2009-10-09T19:57:23","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/10\/art_awards_-_down_the_rabbit_h\/"},"modified":"2009-10-09T12:57:23","modified_gmt":"2009-10-09T19:57:23","slug":"art_awards_-_down_the_rabbit_h","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/10\/art_awards_-_down_the_rabbit_h.html","title":{"rendered":"Art Awards &#8211; down the rabbit hole"},"content":{"rendered":"<p>Previous post on related subject: <a href=\"http:\/\/www.artsjournal.com\/anotherbb\/2009\/10\/peaks-and-valley-of-art-grants.html\"><i>Art Grants: Foolish peaks and absurd valleys<\/i><\/a>.<\/p>\n<p>In Seattle, <a href=\"http:\/\/www.poncho.org\/\">PONCHO<\/a> has a great rep. Since its founding in 1963, it has raised $34 million for 200 or so arts organizations. In recent years, as part of a thank-you to artists contributing to its annual auction, PONCHO singles one out for an&nbsp; &#8220;Artist of the Year Award,&#8221; chosen by vote from other artist participants. <\/p>\n<p>Although it&#8217;s an award given more for community service than aesthetic achievement, winners from previous years have tended to be a distinguished lot, including <a href=\"http:\/\/www.jacobandgwenlawrence.org\/\">Jacob Lawrence &amp; Gwen Knight<\/a>, <a href=\"http:\/\/www.laurarusso.com\/artists\/jones_f.html\">Fay Jones<\/a> and <a href=\"http:\/\/www.juanalonso.info\/\">Juan Alonso<\/a>.<\/p>\n<p>This year, artists say, PONCHO found another way to select the winner, other than peer vote. And <a href=\"http:\/\/www.seattleartblog.com\/home\/Judith-Kindler-2009-PONCHO-Artist-of-the-Year.html\">this year<\/a>, the winner is <a href=\"http:\/\/www.gailseverngallery.com\/index.php\/component\/gailsevern\/view\/artist\/id\/813\">Judith Kindler<\/a>, who happens to be on PONCHO&#8221;s <a href=\"http:\/\/www.poncho.org\/boardoftrustees.shtml\">board of trustees<\/a>. For me, her paintings belong in that category of visual nicety that dominates what&#8217;s on view in galleries around the country, but that&#8217;s not the point. <\/p>\n<p>The point is, PONCHO bypassed peer opinion to select a board member. Kindler might have won anyway, had artists voted, but she shouldn&#8217;t have been a candidate. She&#8217;s a board member. PONCHO relies on its reputation, and this kind of thing doesn&#8217;t help. <\/p>\n<p>Calls to PONCHO have not yet been returned. Will update with its response, if I get one.<br \/><b><br \/>Update: <\/b><a href=\"http:\/\/www.poncho.org\/contactus.shtml\">Jeff Crandall<\/a>, who works on the annual auction, defended this year&#8217;s change of policy. <\/p>\n<p>&#8220;We had problems with artists asking their friends to vote for them,&#8221; he said. Instead, PONCHO asked a group of people who are not on the board to make the selection, which comes with a $5,000 prize. He said he couldn&#8217;t say who was on the selection committee because PONCHO didn&#8217;t want them to &#8220;get pressure.&#8221; <\/p>\n<p>This year, for the first time, there was a no-cash artists&#8217; choice award that went to <a href=\"http:\/\/www.travergallery.com\/gallery_artist_details\/Rick-Araluce.aspx\">Rick Araluce<\/a>. Crandall also noted that Kindler is no longer on the board although she&#8217;s still listed as a member on PONCHO&#8217;s Web site . She left in September, after she was picked for the award, he said.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Previous post on related subject: Art Grants: Foolish peaks and absurd valleys. In Seattle, PONCHO has a great rep. Since its founding in 1963, it has raised $34 million for 200 or so arts organizations. In recent years, as part of a thank-you to artists contributing to its annual auction, PONCHO singles one out for [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1162","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1162","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1162"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1162\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1162"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1162"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1162"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}