{"id":1069,"date":"2009-09-16T00:10:35","date_gmt":"2009-09-16T07:10:35","guid":{"rendered":"http:\/\/www.artsjournal.com\/anotherbb\/wp\/2009\/09\/death_objects_at_the_or_galler\/"},"modified":"2009-09-16T00:10:35","modified_gmt":"2009-09-16T07:10:35","slug":"death_objects_at_the_or_galler","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/anotherbb\/2009\/09\/death_objects_at_the_or_galler.html","title":{"rendered":"Death &#038; Objects at the Or Gallery"},"content":{"rendered":"<p>If I get my passport in time, having foolishly allowed to lapse, I&#8217;m going to catch <i>Death &amp; Objects<\/i> at Vancouver&#8217;s <a href=\"http:\/\/www.orgallery.org\/death-and-objects\">Or Gallery<\/a>, featuring <a href=\"http:\/\/debrabaxter.com\/\">Debra Baxter,<\/a> <a href=\"http:\/\/www.dawncerny.com\/Newwork.htm\">Dawn Cerny<\/a>, <a href=\"http:\/\/www.certainlynot.com\/barb\/main.php\">Barb Choit<\/a> and  <a href=\"http:\/\/thegoggles.org\/index.php?\/about\/\">The Goggles<\/a> (Michael Simons and Paul Shoebridge). Through Oct. 17. <\/p>\n<p>Cerny is well-known in Seattle for her drawings. What she&#8217;s showing north of her home town is new. <\/p>\n<p><span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"dawncernydress.jpg\" src=\"http:\/\/www.artsjournal.com\/anotherbb\/dawncernydress.jpg\" class=\"mt-image-center\" style=\"margin: 0pt auto 20px; text-align: center; display: block;\" height=\"323\" width=\"476\" \/><\/span> <\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>If I get my passport in time, having foolishly allowed to lapse, I&#8217;m going to catch Death &amp; Objects at Vancouver&#8217;s Or Gallery, featuring Debra Baxter, Dawn Cerny, Barb Choit and The Goggles (Michael Simons and Paul Shoebridge). Through Oct. 17. Cerny is well-known in Seattle for her drawings. What she&#8217;s showing north of her [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1069","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1069","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/comments?post=1069"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/posts\/1069\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/media?parent=1069"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/categories?post=1069"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/anotherbb\/wp-json\/wp\/v2\/tags?post=1069"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}